Música y medios de comunicación: en torno a Glenn Gould (1932-1982) Música y medios de comunicación: en torno a Glenn Gould (1932-1982)
Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
Glenn Gould (Toronto,1932-82) fue una de las figuras artísticas más importantes de Canadá en el siglo XX. A 25 años de su muerte se conmemora no sólo a un gran virtuoso del piano; también a un actor social relevante, que contribuyó a la redefinición de la experiencia musical culta a partir del poder de las nuevas tecnologías en la sociedad contemporánea. Su vida y obra crítica guarda una estrecha relación –implícita o explícita– con otros importantes pensadores de su tiempo, como Marshall McLuhan, Theodor W. Adorno, Max Horkheimer y Walter Benjamin. Todos ellos involucrados en reflexionar sobre el devenir de la obra de arte en la era de la reproducción industrial y de la cultura de masa.<br>Glenn Gould (Toronto,1932-82) has been one of the most important artistic personality of Canada in the twentieth century. Twenty five years after his death, we commemorate not only a great virtuoso of the piano but also an outstanding social actor who contributed to redefine the musical experience considering the power of mass medias in the contemporary society. His life and critical writings keep a link –implicit or explicitly– with others important thinkers of his time like Marshall McLuhan, Theodor W. Adorno, Max Horkheimer and Walter Benjamin, all of them involucrate in the process of redefinition of the work of art in the industrial reproduction era and mass culture.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.007 | 0.002 |
| Meta-epidemiology (narrow) | 0.002 | 0.002 |
| Meta-epidemiology (broad) | 0.004 | 0.002 |
| Bibliometrics | 0.002 | 0.001 |
| Science and technology studies | 0.004 | 0.003 |
| Scholarly communication | 0.004 | 0.005 |
| Open science | 0.019 | 0.005 |
| Research integrity | 0.001 | 0.006 |
| Insufficient payload (model declined to judge) | 0.041 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it