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Record W4408211389 · doi:10.1558/pomh.27675

‘A whisky for the fallen’

2025· article· en· W4408211389 on OpenAlex
Colomba Nómez

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenuePopular Music History · 2025
Typearticle
Languageen
FieldArts and Humanities
TopicMusic History and Culture
Canadian institutionsToronto Metropolitan University
Fundersnot available
KeywordsReinterpretationDictatorshipMusicalMasculinityPeriod (music)FemininityNarrativeContext (archaeology)Identity (music)PoliticsNational identityHistoryLiteratureGender studiesSociologyArtAestheticsPolitical scienceLawArchaeology

Abstract

fetched live from OpenAlex

The post-dictatorship (1985–2000) Uruguayan culture placed the issue of historical and political memory at the center of its collective imaginary. In this context, musical humor emerged as a tool for musicians to assimilate, criticize, and navigate the period. With that in mind, this research aims to analyze the (de)construction and reinterpretation of Uruguayan historical narratives through musical humor in the post-dictatorship period. It examines three songs from the rock band Cuarteto de Nos: ‘El Día que Artigas se Emborrachó’, ‘Tabaré, That’s Right’ and ‘No Somos Latinos’. The analysis focuses mainly on musical elements that refer to ideas, discourses, and stereotypes about Uruguayan culture and other places in Latin America, which interact with the musical elements to generate humor. The inquiry follows three key axes of Uruguayan national identity based on different areas and ideas about uruguayidad, the de-sacralization of relevant characters in the history of Uruguay, and the play with their masculinity/hypermasculinity/femininity. Together, these aspects speak of a society where national myths are no longer enough to sustain the country’s identity.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.404
Threshold uncertainty score0.991

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0100.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.061
GPT teacher head0.217
Teacher spread0.156 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it