MétaCan
Menu
Back to cohort
Record W4408501334 · doi:10.1017/s1557466018014638

Fukushima, Media, Democracy: The Promise of Documentary Film

2018· article· en· W4408501334 on OpenAlexaboutno aff
Margherita Long

Bibliographic record

VenueJapan focus · 2018
Typearticle
Languageen
FieldPsychology
TopicMemory, Trauma, and Commemoration
Canadian institutionsnot available
Fundersnot available
KeywordsDemocracyDocumentary filmPolitical scienceMedia studiesArtSociologyLawPolitics

Abstract

fetched live from OpenAlex

This interview is accompanied by Margherita R. Long's essay Japan's 3.11 Nuclear Disaster and the State of Exception: Notes on Kamanaka's Interview and Two Recent Films Born in Toyama Prefecture, Kamanaka Hitomi entered Waseda University and joined her friends in a filmmaking club. Kamanaka won a scholarship from the Japanese government and spent time in Canada and the US between 1990 and 1995 studying at the National Film Board of Canada and working as a media activist at Paper Tiger in New York. Kamanaka then returned to Japan at the time of the Hanshin-Awaji Earthquake that caused over 6,000 deaths and displaced over 300,000 people in the greater Kobe area of Japan in 1995. While working as a volunteer for the victims of the earthquake, she began to produce documentaries for NHK (Japan Broadcasting Corporation) as a freelance director. Kamanaka's first nuclear-related film, Hibakusha at the End of the World (Radiation: A Slow Death, 2003), won several awards, including one from Japan's Agency for Cultural Affairs for excellence in documentary. The film shed light on the transnational links of nuclear policies and their fatal consequences by comparing radiation effects at the Hanford Nuclear Reservation in the State of Washington, the effects of depleted uranium on Iraqi citizens during and after the first Gulf War, and victims of the atomic bomb in Hiroshima and Nagasaki.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.006
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.014
Threshold uncertainty score0.040

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.006
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0090.009
Scholarly communication0.0140.018
Open science0.0010.003
Research integrity0.0040.004
Insufficient payload (model declined to judge)0.0120.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.026
GPT teacher head0.300
Teacher spread0.274 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2018
Admission routes1
Has abstractyes

Explore more

Same venueJapan focusSame topicMemory, Trauma, and CommemorationFrench-language works237,207