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Record W4408809708 · doi:10.35562/rma.919

Shakespeare’s Imperfect “Art of Navigation”: Controlling the Forces of the Sea in The Tempest (1611)

2025· article· en· W4408809708 on OpenAlexaboutno aff
Fiammetta Dionisio

Bibliographic record

VenueReprésentations dans le monde anglophone · 2025
Typearticle
Languageen
FieldArts and Humanities
TopicMaritime and Coastal Archaeology
Canadian institutionsnot available
Fundersnot available
KeywordsTempestImperfectArtLiteraturePhilosophyLinguistics

Abstract

fetched live from OpenAlex

This paper focuses on The Tempest, which is interpreted in the light of John Dee’s 1577 treatise The General and Rare Memorials Pertaining to the Perfect Art of Navigation. Here I concentrate first on Shakespeare’s characterization of Prospero with regard to the template Dee provides as an early imperialist—a side of his persona that is clearly testified in his treatise. A commitment to the idea of an emergent empire is thus what we might have expected Shakespeare to convey in the very play where a character similar to Dee is depicted. What the paper brings to the fore, however, is the way in which Shakespeare appears to react against the imperial myth promoted by Dee. Indeed, if considered from a different perspective, the “art of navigation” that Shakespeare appears to portray in The Tempest is far from a “perfect” one. The play opens with a storm that scatters an entire crew into the open sea, and soon after there is reference to an earlier shipwreck that involved the main character and his only daughter. It ends with Prospero’s departure on a journey, the destination of which is announced, but not witnessed. In the end, these tempests are nothing compared to that other, “last tempest”: the one that occurs in 4.1 evidencing Prospero’s inner perturbation that he is completely unable to control. Shaking the hero to the core, the main storm in The Tempest appears to be caused by a problematic encounter with the Other. The aim here therefore is not only to detect the impact of Dee’s navigation treatise on Shakespeare’s last play, but to focus on how the dramatist shaped, by reacting against, the former’s firm beliefs on the control of the seas and the imperialist myth he purveyed.This analysis is accompanied by references to the Motus theatre group’s Nella tempesta [Into the Tempest], an Italian production that premiered at the TransAmérique Festival in Montreal in 2013. In my reading of the performance, I focus on the techniques employed by the company in reshaping an encounter with the Other that is not (only) marked by anxiety, but also by a desire to make this meeting an invaluable opportunity to recognize the Other as part of the Self.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.567
Threshold uncertainty score0.722

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.010
GPT teacher head0.253
Teacher spread0.243 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2025
Admission routes1
Has abstractyes

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