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Centering Women's Bodies: The Significance of Female Representation in Mehta's Element Trilogy

2025· article· en· W4408916240 on OpenAlex
Ajay B. Lawange -, Pradnya D. Deshmukh -

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueInternational Journal For Multidisciplinary Research · 2025
Typearticle
Languageen
FieldSocial Sciences
TopicIslamic Studies and History
Canadian institutionsnot available
Fundersnot available
KeywordsTrilogyElement (criminal law)Representation (politics)Gender studiesArtAestheticsSociologyLiteraturePolitical scienceLaw

Abstract

fetched live from OpenAlex

ABSTRACT- Gender and sexuality are central to the pleasure principle in Deepa Mehta’s films. As an Indo-Canadian filmmaker, Mehta is best known for her Element Trilogy, which includes Fire (1996), Earth (1998), and Water (2005). These films critically explore the condition of women in India, focusing on their oppression and marginalization by patriarchal systems. In Fire, Mehta portrays the unfulfilled marriages of Seeta and Radha, who seek emotional and sexual freedom through a relationship with each other. Earth, set during the 1947 partition, examines the devastating impact of political violence on women, narrated by a young Parsi girl named Lenny. Water depicts the lives of widows in 1938 India, showcasing their suffering and societal rejection. Through these films, Mehta highlights the struggles of women and places their experiences at the center of the narrative, emphasizing the intersection of gender, sexuality, and social oppression in India.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.004
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.391
Threshold uncertainty score0.795

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0040.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.000
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.125
GPT teacher head0.501
Teacher spread0.377 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it