The Virtual Water Gallery: Art as a catalyst for transforming knowledge and behaviour in water and climate
Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
Water is essential for life. Water-related challenges, such as droughts, floods, water quality degradation, permafrost thaw and glacier melt, exacerbated by climate change, affect everyone. It is challenging, yet of critical importance, to communicate science on such difficult highly volatile topics. Art is a more approachable medium to traditional scientific outlets, with the potential to diversify voices at the table and to lead to more wholistic solutions to these complex challenges. Launched in 2020, the Virtual Water Gallery is a transdisciplinary science and art project of the Global Water Futures program, that aims to provide a collaborative space for dialogues between water experts, artists, and the wider public, to explore water challenges we all face. As part of this initiative, a diverse group of 14 artists or sci-artists from across Canada were paired with teams of Global Water Futures scientists to co-explore specific water challenges in various Canadian ecoregions and communities. These collaborations led to the co-creation of artworks exhibited online on the Virtual Water Gallery in 2021. In 2022, the Virtual Water Gallery came to life with an in-person exhibit in Canmore, Alberta, Canada. Surveys were developed to capture changes in knowledge, attitudes and water-related climate mitigation practices of visitors to this science and art online and in-person exhibit. Surveys were also developed to capture experiences of the project participants. Results from the survey responses of 139 visitors hint to the significance of art in changing knowledge levels and intended behaviours related to water-related climate change mitigation, especially for visitors with low prior knowledge levels. This underscores the potential of science and art to extend beyond communication, acting as a catalyst in the collaborative creation of new knowledge for the benefit of society. The insights gained from project participant responses can serve as valuable guidance for shaping future initiatives.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it