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Record W4411977998 · doi:10.25807/22225064_2025_86_105

THE IMAGE OF LOIE FULLER ON FRENCH THEATRE POSTERS OF THE LATE 19TH CENTURY AND THE FIRST QUARTER OF THE 20TH CENTURY

2025· article· en· W4411977998 on OpenAlex
VIKTORIIA S. ISKROVSKAIA

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueУниверситетский научный журнал · 2025
Typearticle
Languageen
FieldArts and Humanities
TopicShakespeare, Adaptation, and Literary Criticism
Canadian institutionsnot available
Fundersnot available
KeywordsQuarter (Canadian coin)Late 19th centuryHistoryVisual artsArtArt historyAncient historyPeriod (music)ArchaeologyAesthetics

Abstract

fetched live from OpenAlex

The article examines the features of the image of the founder of modern dance Loie Fuller on French theatre posters of the late 19th century and the first quarter of the 20th century. Analysing the works of J. Cheret, J. de Paléologue (Pal), A. Meunier, J. de Fer, M. Orazi and P. Colin, the author reveals the evolution of Fuller’s image in the poster art: the transition from a realistic image of the dancer to an abstract transmission of the essence of her dance, which was caused not only by a change in artistic styles (from naturalism to art nouveau and modernism), but also by a new understanding of theatrical art, where movement and light become the main components of theatrical performance.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.821
Threshold uncertainty score0.700

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.002
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.006
GPT teacher head0.189
Teacher spread0.184 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it