MétaCan
Menu
Back to cohort
Record W4412151138 · doi:10.1038/s41559-025-02786-5

Human contributions to global soundscapes are less predictable than the acoustic rhythms of wildlife

2025· article· en· W4412151138 on OpenAlexaff
Panu Somervuo, Tomas Roslin, Brian L. Fisher, Bess Hardwick, Deirdre Kerdraon, Dimby Raharinjanahary, Eric Tsiriniaina Rajoelison, Patrik Lauha, Lukas Griem, Petteri Lehikoinen, Pekka Niittynen, Esko Piirainen, Markus Lumme, Ville-Matti Riihikoski, Orlando Acevedo‐Charry, Solny A. Adalsteinsson, Sandra Alcobia, Jón Aldará, Nigel R. Andrew, Sten Anslan, Alexandre Antonelli, Julieta Soledad Arena, Ines Aster, Hannu Autto, Anahi Aviles Gamboa, Joaquín Baixeras, Rosario Balestrieri, Gaia Giedrė Banelytė, Pedro Beja, Thomas Berg, Benjamin Bergerot, Elizabeth G. Biro, Pedro G. Blendinger, Loı̈c Bollache, Magda Bou Dagher Kharrat, Stéphane Boyer, Erika Bridell, Martyn Brotherson, Leslie R. Brown, Hannah L. Buckley, Erika Buscardo, Nokuphila Buthelezi, Luciano Cagnolo, Alice Calvente, Giovanni Capobianco, Laura Carreón-Palau, Suzanne Carrière, Bradley S. Case, JenYu Chang, Juan Matías Chaparro, Chi‐Ling Chen, Christine Chicoine, Madeleine Christensson, Francisco Collado, William Colom Montero, Luís P. da Silva, Anamaria Dal Molin, Tad Dallas, Maria Carla de Francesco, Jorge Del Ángel-Rodríguez, Ricardo Dı́az-Delgado, Thomas Dirnböck, Ika Djukic, Philile Dladla, Jeremías Domínguez Masciale, T. Dorigo, Errol Douwes, Torbjørn Ekrem, Helena Enderskog, Charlotta Erefur, Muhammad Fahad, Mohsen Falahati‐Anbaran, Arielle M Farrell, Emanuele Ferrari, Axa Emanuelle Simões Figueiredo, Fernando Forero, Inga Freiberga, Andrea Frosch-Radivo, Luis Alberto Ganchozo Intriago, Laura Garzoli, Paola Giacomotti, Andros T. Gianuca, Olivier Gilg, Vladimir Gilg, Fanney Gísladóttir, Ryan Glowacki, Brigitte Gottsberger, Jocelyn Grégoire, Elli Groner, Patrícia Guedes, Aimee Michelle Guile, Peter Haase, Fazal Hadi, Magdalena Haidegger, Leivur Janus Hansen, Lars Holst Hansen, Reid Harrop, Harald Havnås, David Herrera Báez, Ching-Yen Ho, Denise Hohenbühel, Markéta Tahadlová, Jari Hänninen, Kolbrún í Haraldsstovu, Elise Imbeau, Jasmin Inkinen, Masae I. Ishihara, Gunnar Jansson, Rohit Raj Jha, Gerald Kager, Rhea Kahale, Oula Kalttopää, Elizabeth Wanjiru Karai, Dave Karlsson, Andrea Kaus‐Thiel, Asghar Khan, Qaisar Khan, Kazuhiko Kimoto, Shadrack Chumo Kipngetich, Clemens Klante, Leif Klemedtsson, Mårten Klinth, Janne Koskinen, Matti Kotakorpi, Agnes-Katharina Kreiling, Irmgard Krisai‐Greilhüber, Erik Kristensen, Sebastian König, Silke Langenheder, Kalevi Laurila, Pascaline Le Gouar, Nicolas Lecomte, Erin Lecomte, Paula Leitman, Jorge L. León‐Cortés, Daijiang Li, John Loehr, Carlos López‐Vaamonde, Mehsen Makari, Giselle Mangini, Michael Maroschek, Vanessa A. Mata, Shunsuke Matsuoka, Thais Mazzafera, Paul G. McDonald, Laura Meinert, Mayra Meléndez-González, Ángela M. Mendoza-Henao, Sébastien Moreau, Jérôme Moreau, Jesper Bruun Mosbacher, Anna Mrázová, Samantha Mteshane, Nancy W. Mungai, Gema Muñoz Herraiz, Andrea Murillo-Vázquez, Simona Musazzi, Marko Mutanen, Jörg Müller, Rebeca Navarro Canales, Annegret Nicolaï, Armin Niessner, Jenni Nordén, Paweł Nowak, Erin M O'Connell, Arianna Orrù, Thomas Pagnon, Yurani Nayive Pantoja-Diaz, Mikko Pentinsaari, Sebastian Pilloni, Adrian C. Pinder, Thiago Pinheiro, Sergei Põlme, Luke L. Powell, Gisela Pröll, Paola Pulido‐Santacruz, Enrique Queralt, Mark Tristan Quilantang, Kirsty Quinlan, Juha Rankinen, Micaela del Valle Rasino, Rui Rebelo, Wolfram Remmers, Franziska Retz, E. de los Reyes, Gonzalo Rivas‐Torres, Hanna M.K. Rogers, Inês T. Rosário, Tobias Rütting, Johannes Sahlstén, Carole Saliba, Teppo Salmirinne, Kateřina Sam, Douglas Luiz dos Santos, Margarida Santos‐Reis, Benjamin Wiesmair, Pauliina Schiestl‐Aalto, Niels Martin Schmidt, Sebastian Seibold, Rupert Seidl, Linda Seifert, M. A. Sithole, Elise Sivault, Ireneusz Smerczyński, Aiko SODA, Renata S. Sousa‐Lima, Angela Stanisci, Margaret C. Stanley, Daleen Steenkamp, Elisa Stengel, Stefan Stoll, W. Maartin Strauss, Elisabeth Stur, Maija Sujala, Janne Sundell, Jónína Svavarsdóttir, Leho Tedersoo, Saana Tepsa, Maor Tiko Tikochinsky, Stefanie Tweraser, Catalina Ulloa Espinosa, Joni Uusitalo, Mikko Vallinmäki, Emma Vatka, Silja Veikkolainen, Karl Vernes, Phillip C. Watts, Per Weslien, Ciara Wirth, Jana Helga Wisniewski, Amanda Young, Robyn Övergaard, Otso Ovaskainen

Bibliographic record

VenueNature Ecology & Evolution · 2025
Typearticle
Languageen
FieldBiochemistry, Genetics and Molecular Biology
TopicAnimal Vocal Communication and Behavior
Canadian institutionsIndustry, Tourism and InvestmentOntario GenomicsEnvironment and Climate Change CanadaUniversity of GuelphCenter for Northern StudiesUniversité de MonctonGovernment of Northwest Territories
FundersCentre National de la Recherche ScientifiqueJyväskylän YliopistoVetenskapsrådetAcademy of FinlandNorges ForskningsrådAgence Nationale de la RechercheStiftelsen för Miljöstrategisk ForskningGrantová Agentura České RepublikyEuropean Commission
KeywordsSoundscapeRhythmWildlifeEnvironmental scienceAcousticsSound (geography)BiologyEcologyPhysics

Abstract

fetched live from OpenAlex

Across the world, human (anthropophonic) sounds add to sounds of biological (biophonic) and geophysical (geophonic) origin, with human contributions including both speech and technophony (sounds of technological devices). To characterize society's contribution to the global soundscapes, we used passive acoustic recorders at 139 sites across 6 continents, sampling both urban green spaces and nearby pristine sites continuously for 3 years in a paired design. Recordings were characterized by bird species richness and by 14 complementary acoustic indices. By relating each index to seasonal, diurnal, climatic and anthropogenic factors, we show here that latitude, time of day and day of year each predict a substantial proportion of variation in key metrics of biophony-whereas anthropophony (speech and traffic) show less predictable patterns. Compared to pristine sites, the soundscape of urban green spaces is more dominated by technophony and less diverse in terms of acoustic energy across frequencies and time steps, with less instances of quiet. We conclude that the global soundscape is formed from a highly predictable rhythm in biophony, with added noise from geophony and anthropophony. At urban sites, animals experience an increasingly noisy background of sound, which poses challenges to efficient communication.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: Observational
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.411
Threshold uncertainty score0.382

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.007
GPT teacher head0.307
Teacher spread0.301 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designObservational
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations8
Published2025
Admission routes1
Has abstractyes

Explore more

Same venueNature Ecology & EvolutionSame topicAnimal Vocal Communication and BehaviorFrench-language works237,207