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Competition

2025· book-chapter· en· W4414451356 on OpenAlexaff
Jeremy López

Bibliographic record

VenueOxford University Press eBooks · 2025
Typebook-chapter
Languageen
FieldArts and Humanities
TopicHistorical Art and Culture Studies
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsBeneficiaryVitalityCompetition (biology)Property (philosophy)Style (visual arts)Action (physics)

Abstract

fetched live from OpenAlex

Abstract As participants in a commercial enterprise, early modern playwrights must have spent much of their time thinking about how to get the most out of limited resources, but as participants in an artistic enterprise they must have spent more time thinking about how to speak to one another, and their audiences, in ways that affirmed the vitality of that enterprise. Intertextual echoes between plays suggest that dramatic authors sought not only to distinguish themselves from one another, but also to acknowledge and celebrate themselves as part of a community of artistic endeavour with a capacious membership—authors, actors, and audiences—and a long, developing history. In this chapter, as I describe Shakespeare’s approach to dramatic authorship through his competition with Marlowe, Jonson, and Beaumont and Fletcher, my guiding assumption is that Shakespeare was a careful, intelligent, and sympathetic reader of his colleagues’ work, and the beneficiary of their readings in return.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.405
Threshold uncertainty score0.848

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0010.001
Science and technology studies0.0040.002
Scholarly communication0.0090.005
Open science0.0020.006
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.4050.108

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.026
GPT teacher head0.176
Teacher spread0.150 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2025
Admission routes1
Has abstractyes

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Same venueOxford University Press eBooksSame topicHistorical Art and Culture StudiesFrench-language works237,207