Who owns the spotlight? Intellectual property challenges in today’s entertainment industry
Bibliographic record
Abstract
The entertainment industry prospers on intellectual property (IP) rights, yet creators often struggle with ownership disputes, copyright infringement and inequitable contracts that limit their control and earnings. This article examines the role of copyright, trademarks, and contractual frameworks in shaping the music, film, and digital sectors, highlighting key challenges such as streaming royalties, cross-border enforcement, and branding disputes. Using case studies from Nigeria, Canada, and the United States, including Taylor Swift’s re-recordings, Afrobeats distribution issues, and Nollywood piracy, the paper underscores the tension between protecting creativity and maximizing commercial exploitation. It concludes with a call for stronger regulation, greater awareness, and professional guidance to ensure that creators fully benefit from their intellectual property in the digital era.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.005 | 0.008 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.002 | 0.003 |
| Science and technology studies | 0.008 | 0.016 |
| Scholarly communication | 0.023 | 0.021 |
| Open science | 0.001 | 0.004 |
| Research integrity | 0.006 | 0.004 |
| Insufficient payload (model declined to judge) | 0.005 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".