Temporalidades múltiples en la encrucijada: representaciones artísticas de lo afro en Latinoamérica y el mundo hispánico durante la actual etapa de globalización
Bibliographic record
Abstract
Nowadays talking about national, racial or gender identities and its representations is quite difficult due to current global-local dynamics of cultural formation. In that sense, approaching to these issues requires the use of comprehensive theories and complex tools in order to forge a better understanding. My dissertation explores the artistic representation of ‘afro’ in the Hispanic world (or the culture built upon the legacies of Africans and African-descendants in the New World and especially in the Caribbean) during the current stage of globalization. In my dissertation, I argue that afro-artistic contemporary representations are overcoming traditional ones -bound to race as a biological signifier- and instead, they have become complex works where several cultural, transnational and temporal values overlap with each other in their configuration. Through the study of writers, artists and musical groups such as Ricardo Aleixo (Brazil), Yvonne America Truque (Colombia-Canada), Donato Ndongo (Guinea-Spain), ChocQuibTown (Colombia), Voodoo Souljhas (Colombia), Liliana Angulo (Colombia) and Fabio Melecio Palacio (Colombia), among others, I was able to establish a complex initial model to understand contemporary processes of artistic representation. Likewise, under a trans-disciplinary framework (which combines theories of Social Sciences, Humanities and Complexity) I had the opportunity to discuss varied themes such as Afro-Latin American and Caribbean identity, literary and artistic representation, Latin America and globalization, cultural transmission, gender, and Latin American cultural industries among others.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.005 | 0.005 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.002 | 0.002 |
| Science and technology studies | 0.009 | 0.016 |
| Scholarly communication | 0.015 | 0.005 |
| Open science | 0.001 | 0.007 |
| Research integrity | 0.001 | 0.003 |
| Insufficient payload (model declined to judge) | 0.004 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".