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Record W5575648 · doi:10.1139/o71-074

Fonctions du mythe dans le cinéma italien de 1960 à 1975 : volonté de détour ou évasion illusoire ?

2008· dissertation· fr· W5575648 on OpenAlex
Magali Vogin

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueCanadian Journal of Biochemistry · 2008
Typedissertation
Languagefr
FieldSocial Sciences
TopicItalian Fascism and Post-war Society
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesArt

Abstract

fetched live from OpenAlex

Considere sur la double perspective de recit de la cosmogonie, d'histoire vraie des origines, et de recit legendaire, fabuleux et mensonger, le mythe trouve un terrain de predilection dans le cinema italien des annees soixante, en particulier chez Pasolini, Fellini, Visconti, Antonioni et les freres Taviani. L'impact de la seconde guerre mondiale developpe chez ces auteurs une tendance a vouloir redefinir les origines de la civilisation, a travers une destructuration du langage et une volonte de detour par l'Antiquite et par le mythe, afin de construire les bases d'une renaissance. L'expression poetique et le perfectionnement esthetique revelent une adhesion generale de ces auteurs au symbolisme et a la culture decadente, fondatrice des mythes de leur enfance. Hante par le spectre du neo-capitalisme, ce cinema expressionniste est caracterise par une tendance a l'introspection, afin de donner une analyse critique du mythe, et de decrypter la realite difficilement saisissable.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Science and technology studies
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.040
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.001
Bibliometrics0.0000.000
Science and technology studies0.0020.001
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.009
GPT teacher head0.231
Teacher spread0.222 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it