Ecrire en pays assiégé : writing under seige : Haïti
Bibliographic record
Abstract
Marie-Agnes SOURIEAU and Kathleen M. BALUTANSKY : Introduction Renee LARRIER : DuSable, Douglass, and Dessalines : The Haytian Pavilion and the Narrative of History I: Ecrire en pays assiege/Writing under Siege Introduction 1. Georges ANGLADE: Les Lodyanseurs du Soir : Il y a 100 ans, le passage a l'ecrit 2. Mac-Ferl MORQUETTE : Une approche politique de Gouverneurs de la rosee de Jacques Roumain 3. Carrol F. COATES: Le peuple assiege: l'ecriture romanesque de Jacques Stephen Alexis 4. Max DORSINVILLE : Roger Dorsinville en trois temps 5. Franz-Antoine LECONTE : Derive politique et synergie esthetique : Un entretien avec Rene Depestre 6. Joelle VITIELLO : De l'autre cote de mes murs : le desir de l'engagement dans l'ecriture de Yanick Lahens II : Ecrire la terreur/Writing Terror Introduction 1. Joseph J. FERDINAND : Doctrines litteraires et climats politiques sous les Duvalier 2. Kaiama L. GLOVER: Physical Internment and Creative Freedom: The Spiralist Contribution 3. Jean JONASSAINT: D'un exemplaire createur souterrain : un entretien avec Franketienne 4. Irline FRANCOIS : From Confinement to Freedom : Jan J. [Gigi] Dominique's Memoire d'une amnesique 5. Myriam J.A. CHANCY : No Giraffes in Haiti : Haitian Women and State Terror 6. Marie-Jose N' ZENGOU-TAYO: The End of the Committed Intellectual: The Case of Lyonel Trouillot III: Ecrire l'exil/Writing Exile Introduction 1. Christiane MAKWARD: Oyez Ayiti ! de Mimi Barthelemy 2. Ginette ADAMSON : Jean Metellus ou l'ecrivain en partage. Une esthetique de vie et d'ecriture 3. Eloise A. BRIERE : Writing Memory in Alien Places : Becoming a(Quebecois ?) Subject 4. Mark ANDREWS: L'ecriture aux abois: assiegement et resistance dans l'oeuvre de Gerard Etienne 5. Dennis F. ESSAR : Dany Laferriere, Primitive Writer : A Haitian Esthetic 6. Helen SCOTT : Ou libere? History, Transformation and the Struggle for Freedom in Edwidge Danticat's Breath, Eyes, Memory Epilogue Sarah DAVIES CORDOVA: De la litterature haitienne : travers de memoire ou allegorie contemporaine Bibliographie Biographie des contributeurs LeGrace BENSON: About the Myrbel Painting on the Book Cover Index
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.001 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.012 | 0.004 |
| Scholarly communication | 0.005 | 0.002 |
| Open science | 0.001 | 0.002 |
| Research integrity | 0.002 | 0.003 |
| Insufficient payload (model declined to judge) | 0.014 | 0.002 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".