Continuum encyclopedia of popular music of the world
Bibliographic record
Abstract
Adult Contemporary African-American Musical Theater, 1890- Album-Oriented Rock Alternative Country Alternative Rock Backstage Musical Bakersfield Sound Ballad (North American) Barbershop Bebop (Bop) Bluegrass Music Blues Boogie Woogie Brill Building Pop Broadway Musical. Burlesque Cajun Music Chanson canadienne/Chanson quebecois Chicago Blues Chicago Jazz Chicano Music Christian Rock Classic Blues Contemporary Christian Music Contemporary Worship Music Cool Jazz Coon Song Country Music Country Rock Cowboy Songs Delta Blues Disco Doo Wop Duranguense Easy Listening Electro Emo Ethnic Music Exotica Folk Music (North American) Free Jazz Funk Garage, US Garage Rock Girl Groups Go-Go Gospel Hymn Gospel Music, African-American Gospel Music, White Granola Music Grunge Hardbop Hip-Hop. Honky-Tonk Hot Rod House Music Indita Jazz Jazz-Rock Latin Boogaloo Latin Jazz Mainstream Jazz Mardi Gras Indian music Matachines Miami Bass Minstrelsy Modal Jazz Motown Nashville Sound, The Native American Pop New Country New Jack Swing New York Downtown Scene New Orleans Jazz Outlaw Country Music Powwow Music Progressive Jazz Quebradita & Technobanda R&B, Contemporary Ragtime Railroad Songs Revue, American Rhythm and Blues Riot Grrrl Rockabilly Rock 'n' Roll Salsa Shape-Note Hymnody Singer-songwriter Singing Cowboy Smooth Jazz. Soft Rock Soul Soul Jazz Southern Rock Spiritual, African-American Stride Surf Music Sweet Music Swamp Blues Swamp Pop Swing Music and Big-Band Jazz Symphonic Jazz Talking Blues Techno Tejano Music Third Stream Tin Pan Alley Torch Song Trad and Neo-trad Vaudeville Vaudeville, African-American Waila West Coast Jazz Western Swing Ye-ye quebecois Zydeco.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.001 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.005 | 0.007 |
| Science and technology studies | 0.001 | 0.000 |
| Scholarly communication | 0.005 | 0.003 |
| Open science | 0.001 | 0.002 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.510 | 0.326 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".