MétaCan
Menu
Back to cohort
Record W593092191 · doi:10.33137/rr.v37i3.8721

Essais sur poutres. Peintures et inscriptions chez Montaigne

2001· article· fr· W593092191 on OpenAlexaffvenue
Alain Legros, Michel Liddle

Bibliographic record

VenueRenaissance and Reformation · 2001
Typearticle
Languagefr
FieldArts and Humanities
TopicRenaissance Literature and Culture
Canadian institutionsConcordia University
Fundersnot available
KeywordsArt

Abstract

fetched live from OpenAlex

the Formation of French Architectural Language in the Late Sixteenth Century: The Triumphal Arch as Commonplace," takes up the interesting parallel between commonplace books as a training device for young writers and the codices which came to function as architectural commonplace books for students of architecture.Neither conveyed the strict grammatical rules of their respective forms, but both conveyed the rhetoric that employed such rules, thus imparting an artistic quality to their respective discourses.Pauwels illustrates his point by discussing the writings of Philibert De L'Orme, and by considering the triumphal arch and the square as applications of the architectural commonplace.The last two essays bring us to the British Isles and to two cultures whose grasp of Renaissance style was more distinct than most.Drawing on her masterful command of the life and work of Inigo Jones, Christy Anderson explores the relationship of Jacobean neo-classicism as created by Jones to the neo-classical poetry of the same era, and with it the work of Jones in architecture and of his friend George Chapman in poetry.She sees their work as producing stylistic and intellectual watersheds in both fields, and thus in English high culture itself.Finally, we have Deborah Howard's important piece on "Languages and Architecture in Scotland, 1500-1600," valuable in its own right, and also because it adds to one of the less explored architectural traditions of this era.Howard very usefully examines the dialogue in Renaissance Scotland between native elements of architecture and neo-classical elements imported from abroad.In addition, she makes the important distinction between architectural language and architectural style, arguing that while Scotland may have recognized diverse contemporary architectural languages from abroad, its native climate and culture provided a constant and necessary consideration in determining style.The point resonates nicely with Alina Payne's observation about rules and exceptions in national cultural traditions.Given the virtually infinite possibilities for exploring the relations between architecture and language in the broad period at hand, it is too much to expect that any volume devoted to that task will produce an entirely cohesive result.This collection is no exception.But these essays do represent some of the most interesting work being conducted in this area at the present time; the volume very usefully ignores traditional disciplinary boundaries, and its contributors seem without exception to be at the cutting edge of their fields.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.086
Threshold uncertainty score0.171

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0030.004
Science and technology studies0.0040.002
Scholarly communication0.0030.002
Open science0.0000.001
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0300.007

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.016
GPT teacher head0.229
Teacher spread0.213 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations14
Published2001
Admission routes2
Has abstractyes

Explore more

Same venueRenaissance and ReformationSame topicRenaissance Literature and CultureFrench-language works237,207