Routledge Handbook of Indian Cinemas
Bibliographic record
Abstract
1. Introduction K. Moti Gokulsing, University of East London, UK and Wimal Dissanayake Part 1: Historical Analysis 2. From Cultural Backwardness to the Age of Imitation: An Essay in Film History M. Madhava Prasad 3. The Indian New Wave Ira Bhaskar 4. Regional Cinemas: 4.1 'Bengali' Cinema: Its Making and Unmaking Sharmistha Gooptu 4.2 Assamese Cinema: Dreams, Reality and Dichotomies Manoj Barpujari 4.3 Odia (the new name for Oriya) Cinema at 75 Shyamhari Chakra 4.4 Marathi Cinema: The Exile, the Factory and Fame Amrit Gangar 4.5 Gujarati Cinema: Stories of Sant, Sati, Shethani and Sparks Afew Amrit Gangar 4.6 Matriliny to Masculinity: Performing Modernity and Gender in Malayalam Cinema Meena T. Pillai 4.7 Kannada Cinema and Princely Mysore M. K. Raghavendra 4.8 The Star-politicians of Tamil Nadu: The origin and emergence Theodore Baskaran 4.9 Beyond the Star: Telegu Comedy Films and Realpolitik in Andhra Pradesh Joe Christopher 4.10 Mapping the invisible world of Bhojpuri cinema and its changing audience Ratnakar Tripathy 4.11 From Lahore to Bombay...and Vancouver: The Chequered Journey of Punjabi Cinema Prabhjot Parmar Part 2: Themes and Perspectives 5. The evolution of representing Female sexuality in Hindi Cinema 1991 - 2010 Shoma A Chatterji 6. Queer Times in Bollywood Rama Srinivasan 7. The Scale of Diasporic Cinema: Negotiating National and Transnational Cultural Citizenship Jigna Desai 8. The Shifting Terrains of Nationalism and Patriotism in Indian Cinemas Vijay Devadas 9. Digitizing the National Imaginary: Technology and Hybridization in Hindi Film Songs of the Post-Liberalization Period Aniruddha Dutta 10. Trends in Hindi Film music with special reference to Socio-Economic and Political Changes Pankaj Rag 11. Music in Mainstream Indian Cinema Premendra Mazumder 12. Scriptwriting- In and Out of the Box Anil Zankar 13. The Fictions of Science and Cinema in India Raminder Kaur 14. Film Censorship in India: Deconstructing an Incongruity Someswar Bhowmik 15. Advertising and marketing of the Indian Cinema Lynne Ciochetto Part 3: The Business of Indian Cinemas 16. Film Distribution: The Changing Landscape Ravi Gupta 17. Corporatization and the Hindi Film Industry Tejaswini Ganti 18. Indian Cinemas: Acknowledging Property Rights Amir Ullah Khan 19. Foundations, Movements and Dissonant Images: documentary film and its ambivalent relations to the nation state Nicole Wolf Part 4: Cinema Halls and Audiences 20. Active Audiences and the Experience of Cinema Lakshmi Srinivas 21. Hindi film audiences outside South Asia Shakuntala Banaji 22. Cinema as Social Space: The Case of the Multiplex Adrian Athique 23. Virtual Darshan: social networking and virtual communities in the Hindi film context Steven Baker 24. Conclusion K. Moti Gokulsing and Wimal Dissanayake
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.004 |
| Meta-epidemiology (narrow) | 0.001 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.004 | 0.007 |
| Science and technology studies | 0.003 | 0.002 |
| Scholarly communication | 0.009 | 0.005 |
| Open science | 0.002 | 0.003 |
| Research integrity | 0.002 | 0.003 |
| Insufficient payload (model declined to judge) | 0.252 | 0.119 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".