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Record W614136272

Art and War in Japan and its Empire: 1931-1960

2012· book· en· W614136272 on OpenAlexaboutno aff
Asato Ikeda, Aya Louise McDonald, Ming Tiampo

Bibliographic record

VenueDigital Scholarship - UNLV (University of Nevada Reno) · 2012
Typebook
Languageen
FieldSocial Sciences
TopicJapanese History and Culture
Canadian institutionsnot available
Fundersnot available
KeywordsEmpireTransnationalitySpanish Civil WarPeriod (music)Art historyHistoryWorld War IIColonialismArtAncient historyPolitical scienceLawAestheticsArchaeology
DOInot available

Abstract

fetched live from OpenAlex

Art and War in Japan and its Empire: 1931-1960 is an anthology that investigates the impact of the Fifteen-Year War (1931-1945) on artistic practices and brings together twenty scholars including art historians, historians, and museum curators from the United States, Canada, France, Taiwan, Korea, and Japan. This will be the first art-historical anthology that examines responses to the war within and outside Japan in the wartime and postwar period. The anthology will scrutinize official and unofficial war artists who recorded, propagated, or resented the war; explore the unprecedented transnationality of artistic activity under Japan’s colonial expansion; and consider the role of today’s museum institutions in remembering the war through art. Contributors include: Asato Ikeda, Aya Lousa McDonald, Ming Tiampo, Akihisa Kawata, Mikiko Hirayama, Mayu Tsuruya, Michael Lucken, Bert Winther-Tamaki, Mark H. Sandler, Maki Kaneko, Kendall Brown, Reita Hirase, Gennifer Weisenfeld, Kari Shepherdson-Scott, Aida-Yuen Wong, Hyeshin Kim, Laura Hein, and Julia Adeney Thomas.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.074
Threshold uncertainty score0.146

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.003
Science and technology studies0.0060.007
Scholarly communication0.0040.003
Open science0.0000.002
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0040.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.027
GPT teacher head0.228
Teacher spread0.201 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations15
Published2012
Admission routes1
Has abstractyes

Explore more

Same venueDigital Scholarship - UNLV (University of Nevada Reno)Same topicJapanese History and CultureFrench-language works237,207