Women and things, 1750-1950 : gendered material strategies
Bibliographic record
Abstract
Contents: Introduction: materializing women, Beth Fowkes Tobin and Maureen Daly Goggin. Textiles and Meaning Making: Fabricating identity: Janie Terrero's 1912 embroidered English suffrage signature handkerchief, Maureen Daly Goggin Stitching the self: Emily Kenniff's drawers and the materialization of identity in late-19th-century London, Vivienne Richmond Material culture, identity and colonial society in the Canadian fur trade, Laura Peters From ruffs to regalia: Tlingit dolls and the embodiment of identity, Megan A. Smetzer. Bricolage: Female crafts: women and bricolage in late Georgian Britain 1750-1820, Ariane Fennetaux Reading circles, crafts, and flower arranging: everyday items in the silhouettes of Luise Duttenhofer (1776-1829), Julia Sedda Preservation and permanence: American women and nature fancywork in the 19th century, Andrea Kolasinski Marcinkus Material histories: the scrapbooks of progressive-era women's organizations. 1875-1930, Amy Mecklenburg-Faenger. Troubling the Private/Public Divide: Materials of the 'everyday' woman writer: letter-writing in 18th-century England and America, Cheryl Nixon and Louise Penner Inside out: sculptures by women in the metropolitan public space (Paris, London, Brussels, 1750-1950), Marjan Sterckx The butter sculpture of Caroline Shawk Brooks (1840-1913), Rebecca Bedell and Margaret Samu Cooking 'wholesome and delicious food' in post-revolutionary Russia, Lyubov G. Gurjeva and Maria Eichmans Cochran. Memory and Communication: Gifting and fetishization: the portrait miniature of Sally Foster Otis as a maker of female memory, Katherine Rieder (Re)collecting herself: Jennie Drew's autograph album, mnemonic activity and the creation of feminine subjectivity, Lisa Reid Ricker Cloaks, crosses, and globes: women's material culture of mourning on the Brittany coast, Maura Coughlin Monumental visions: women sculptors and World War I, Jennifer Wingate Place as material culture and restorative tool: Yany
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.002 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.004 | 0.004 |
| Science and technology studies | 0.016 | 0.023 |
| Scholarly communication | 0.009 | 0.005 |
| Open science | 0.001 | 0.005 |
| Research integrity | 0.002 | 0.002 |
| Insufficient payload (model declined to judge) | 0.014 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".