MétaCan
Menu
← Back to cohort
Record W6913114490 · doi:10.5683/sp2/jate7j

Mayfair Theatre - Integrated Project Dossier (2011)

2022· dataset· en· W6913114490 on OpenAlexaffabout

Bibliographic record

VenueBorealis · 2022
Typedataset
Languageen
Field
Topic
Canadian institutionsCarleton University
Fundersnot available
KeywordsMovie theaterStyle (visual arts)ColonialismArchitecturePopularityEntertainment

Abstract

fetched live from OpenAlex

The Mayfair Theatre, located on 1074 Bank Street in Ottawa, Ontario, was opened on December 5th 1932. This independent cinema is a landmark in Ottawa South and is one of the last two neighbourhood cinemas in Ottawa (the other is the Bytowne Cinema). The theatre was designed by architect, John P. MacLaren. Although the exterior of the May-fair is a simple brick structure, the interior resembles a Mediterranean Plaza; which is typical in the design of an atmospheric cinema. Austrian-born architect John Eberson (1875-1955) was the original architect of the Atmospheric Style who began designing theatres in the United States in the 1920s. John Eberson designed these atmospheric theatres to trans-port the theatre go-er to another time and place in order to distract them from the harsh life during the Great Depression. Common themes for atmospheric cinemas included Italian gardens, Persian courts, Spanish patios and Mediterranean plazas. The decorative features in the auditorium are designed by Belgian-born artist Rene S. DeVos. The atmospheric cinema has been untouched since its construction. The Spanish Colonial Revival Style was particularly popular in California during the 1920s and 1930s. It was this connection to the state (more specifically to Hollywood) that contributed to the popularity of the design. The Mayfair Theater is a three-story structure with a brick façade and is crowned with a centrally located, freestanding curvilinear Spanish Colonial Revival gable. The upper two stories of the façade is a simple and plain, windowless surface with limited decorative features. Minor patterns of brickwork and small square artificial cut-stone inlays define the corners of the facade. The first story of the building holds the entrance to the Theater from Bank Street as well as the storefront window of the previous barbershop (presently Quinn’s Bar). An illuminated two-story-high projecting vertical marquee written with “MAYFAIR” was attached to the building façade, but was removed at a later (unknown) date. The building’s brick exterior fits in well with the surrounding Glebe neighbourhood and streetscape. In contrast, the interior, which maintains almost all of its original character, is lavishly decorated in an eclectic manner that heavily incorporates Spanish Colonial Revival architectural features (which also are connected to what are known as the Mission and Mediterranean styles). The cinema was first owned by Fred Robertson and would continue to be owned by Robertson's family for over 20 years. In the 1980s the Mayfair Theater was a popular cinema known for its double features (a very profitable aspect for the theatre). Prime Minister Pierre Trudeau used to frequent the Mayfair Theater on a regular basis while living in Ottawa. This is the Integrated Project Dossier compiled by a group of undergrad students of the Architectural Conservation and Sustainability Program (Engineers and architects) at Carleton University for the CIVE3207 (ARCN4100) Historic Site Recording and Assessment course in 2011.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Dataset · Consensus signal: none
Teacher disagreement score0.194
Threshold uncertainty score0.648

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0030.001
Scholarly communication0.0050.001
Open science0.0010.003
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.1940.046

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.024
GPT teacher head0.286
Teacher spread0.262 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreDataset

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2022
Admission routes2
Has abstractyes

Explore more

Same venueBorealis→French-language works237,207→