MétaCan
Menu
Back to cohort
Record W6986335321

Picturing Canadian Modernism Through the Poetics of Eldon Grier

2023· other· en· W6986335321 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueSpectrum Research Repository (Concordia University) · 2023
Typeother
Languageen
FieldComputer Science
TopicComputational Physics and Python Applications
Canadian institutionsnot available
Fundersnot available
KeywordsPoeticsForegroundingModernism (music)PoetryPaintingPostmodernism
DOInot available

Abstract

fetched live from OpenAlex

This thesis recovers and contextualizes the works of the Canadian painter/poet Eldon Grier (1917-2001). Grier was a painter first, studying under John Lyman in Montreal and Diego Rivera in Mexico City before beginning, “quite inexplicably, to write poetry.” This thesis recuperates and makes use of archival sources in order to ascertain the reasoning for this switch, ultimately situating Grier within a trend of Canadian “painterly poets” which includes P.K. Page-Irwin, Roy Kiyooka and Phyllis Webb. Each of these poets changed artistic mediums in the latter half of the twentieth century as they contended with the formal conventions of literary modernism. Not yet the concrete poetry of postmodernism, theirs is a poetics that recruits the visual at the level of methodology. As a foregrounding figure in this tradition Grier helps to chart the development of visual poetry in Canada, writing through what Len Early calls the “ambiguous fault-line” between modernism and postmodernism in Canada.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.888
Threshold uncertainty score0.642

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0020.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.037
GPT teacher head0.277
Teacher spread0.240 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it