Poet or Pimp? \nTheatricality and Sex Crimes in Lope de Vega and Cervantes
Bibliographic record
Abstract
The goal of this paper is to compare and contrast Lope’s play Peribáñez y el Comendador de Ocaña with the various erotic intrigues that take place at the ducal palace in Cervantes’s Don Quixote II. The goal are to (1) analyze the authors’ differing aesthetic and social approaches to criminal sexual violence; and (2) further illuminate the socio-aesthetic context surrounding the antagonism between the two authors. My claim is that where Lope frames the potential sexual violence and theatrical chaos set in motion by the Comendador as the work a deceitful, heretical, and dishonorable aberration/abomination, who needs to be eliminated so that an inherently just and natural society can function as God intended, Cervantes locates the source of sexual violence in the hierarchical power structure of the aristocracy per se as well as its use of theatrical spectacles to simultaneously entertain and legitimize their political privilege and economic superiority. In other words, for Cervantes, the image of terror that is brought to the stage in a figure like Lope’s don Fadrique is not external to the monarchical-seigniorial apparatuses of social and political containment, as Lope would have it, but is rather a product of its hierarchical structure. As a result, Cervantes’s theatrical representation of sexual violence unveils the false ideological promises of Lope’s peasant plays as an analogy of the false promises of wealthy and aristocratic knaves to the victims of their sexual predation.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.002 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.000 |
| Science and technology studies | 0.008 | 0.015 |
| Scholarly communication | 0.004 | 0.002 |
| Open science | 0.001 | 0.003 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.005 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".