Bibliographic record
Abstract
Ruth Ozeki delivered the keynote address at the 2024 URI Humanities Festival. Ozeki is a filmmaker, novelist, and Zen Buddhist priest. Her films, now in educational distribution, are shown at universities, museums and arts venues around the world. Body of Correspondence (1994) won the New Visions Award at the San Francisco Film Festival and was aired on PBS. Halving the Bones (1995), an award-winning autobiographical film, tells the story of Ozeki’s journey as she brings her grandmother’s remains home from Japan. It has been screened at the Sundance Film Festival, the Museum of Modern Art, the Montreal World Film Festival, and the Margaret Mead Film Festival, among others. Ozeki’s first novel, My Year of Meats, garnered widespread glowing reviews, awards, and a still-growing readership. It was also an international success and has been translated into eleven languages and published in fourteen countries. It won the Kiriyama Pacific Rim Award, the Imus/Barnes and Noble American Book Award, and a Special Jury Prize of the World Cookbook Awards in Versailles. Ozeki’s second novel, All Over Creation, was a New York Times Notable Book and the recipient of a 2004 American Book Award from the Before Columbus Foundation, as well as the Willa Literary Award for Contemporary Fiction. A Tale for the Time Being was an instant New York Times bestseller list and was shortlisted for the 2013 Man Booker Prize. Her latest novel, The Book of Form and Emptiness, was the 2022 winner of the Women’s Prize for Fiction. Ozeki, a frequent speaker on college and university campuses, currently divides her time between New York City and British Columbia, where she lives with her husband, artist Oliver Kellhammer. She currently teaches creative writing at Smith College, where she is the Grace Jarcho Ross 1933 Professor of Humanities in the Department of English Language and Literature. She serves on the advisory editorial board of the Asian American Literary Review and on the Creative Advisory Council of Hedgebrook. She practices Zen Buddhism with Zoketsu Norman Fischer and is the editor of the Everyday Zen website. She was ordained as a Soto Zen priest in June 2010.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.004 | 0.012 |
| Meta-epidemiology (narrow) | 0.001 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.011 | 0.007 |
| Scholarly communication | 0.008 | 0.011 |
| Open science | 0.002 | 0.005 |
| Research integrity | 0.005 | 0.013 |
| Insufficient payload (model declined to judge) | 0.012 | 0.004 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".