"¿Las fiebres?..ya las tengo!" MelancolÃa y fading del yo en tres textos de Ãlvaro Mutis
Bibliographic record
Abstract
This dissertation demonstrates how the Weltanschauung found in Ãlvaro Mutis´s oeuvre is profoundly influenced by a late romantic conscience found in the Latin American posvanguardia generation (1920 â 1940). Melancholy âas late modern affective condition- and fading of the subject âas narrative and aesthetic imaginary- are two central figures in his fictional universe.\nAs a consequence of this, some of the heroes and topics in Mutisâs oeuvre are in dialogue with the main topics of the first literary movement in Hispanic America, Modernism. Some of them are: a religious ambiance in their prose, hedonism, cosmopolitanism, decadentism, Latin American landscape as entropy and a fractured self.\nThere is a narrative logic in the literary corpus analyzed âwhich one can extend to Mutisâ s oeuvre. The hero, before starting his adventure, begins a psychological phenomenology called âfading of the subjectâ, which is a symbolic process that affects not only his stability as a hero but also the enterprise to which he is committed; all this thanks to his âmelancholic conditionâ. This emotional process begins by revealing poetic images of internal destruction, amalgamation and death, which the hero transfers to the external world. In some of the texts analyzed this process concludes by producing death and devastation (El Húsar, La muerte del estratega), in others there is an urgent need to a symbolic resignification (Amirbar) that allows the hero to survive and start a new adventure. \nThis âspiritual conditionâ is something Maqroll - Mutisâ main character- knows well when someone asks him about his precarious physical condition, âThe tropical fevers...I have them already!â (Amirbar 491)
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".