Bibliographic record
Abstract
"El Camino" é o sétimo álbum de estúdio da dupla de rock americana Black Keys. Foi co-produzido por Danger Mouse e o grupo, e foi lançado pela Nonesuch Records em 6 de dezembro de 2011. O álbum foi a continuação da banda para seu avanço comercial, "Brothers" (2010), e foi sua terceira colaboração com Danger Mouse. El Camino se baseia em gêneros populares dos anos 1950 a 1970, como rock and roll, glam rock, rockabilly, surf rock e soul. Danger Mouse contribuiu como co-escritor em cada uma das 11 canções ao lado do guitarrista Dan Auerbach e do baterista Patrick Carney. O álbum foi gravado de março a maio de 2011 em Nashville, Tennessee, no Easy Eye Sound Studio, que Auerbach abriu no ano anterior. A banda abordou a composição e a gravação de forma diferente dos álbuns anteriores, pois entraram no estúdio sem ter escrito nenhum material e deliberaram por mais tempo sobre como estruturar as músicas. Depois de lutar para traduzir as canções mais lentas de Brothers para um ambiente ao vivo, a banda escreveu faixas mais agitadas e carregadas de ganchos (hooks) para El Camino. A arte da capa do álbum mostra uma minivan semelhante à que o grupo fez em turnê no início de sua carreira, mas em uma piada interna, eles batizaram o álbum com o nome do muscle car El Camino. Um falso anúncio de jornal e uma paródia de um comercial de carro brincando com essa piada foram usados para promover o disco antes do lançamento. O single principal "Lonely Boy" se tornou o single de maior sucesso do grupo em vários países, incluindo Estados Unidos, Austrália e Canadá. O álbum recebeu críticas positivas da crítica e foi classificado por muitas publicações como um dos melhores álbuns do ano. Ele estreou em segundo lugar na Billboard 200 dos Estados Unidos e alcançou o top cinco das paradas de álbuns na Austrália, Canadá, Bélgica (Flandres) e Nova Zelândia. ~~~ "El Camino" is the seventh studio album by American rock duo the Black Keys. It was co-produced by Danger Mouse and the group, and was released on Nonesuch Records on December 6, 2011. The record was the band's follow-up to their commercial breakthrough, "Brothers" (2010), and was their third collaboration with Danger Mouse. El Camino draws from popular genres of the 1950s to 1970s, such as rock and roll, glam rock, rockabilly, surf rock and soul. Danger Mouse contributed as a co-writer on each of the 11 songs alongside guitarist Dan Auerbach and drummer Patrick Carney. The album was recorded from March to May 2011 in Nashville, Tennessee, at Easy Eye Sound Studio, which Auerbach opened the year prior. The band approached writing and recording differently than on previous albums, as they entered the studio without having written any material and deliberated longer on how to structure songs. After struggling to translate the slower songs from Brothers to a live setting, the band wrote more uptempo, hook-laden tracks for El Camino. The album's cover art depicts a minivan similar to one the group toured in early in their career, but in an inside joke, they named the record after the El Camino muscle car. A faux newspaper advertisement and parody car commercial playing on this joke were used to promote the record prior to release. Lead single "Lonely Boy" became the group's highest-charting single in several countries, including the United States, Australia, and Canada. The album received positive reviews from critics and was ranked by many publications as one of the year's best albums. It debuted at number two on the US Billboard 200 and reached the top five of the album charts in Australia, Canada, Belgium (Flanders), and New Zealand.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.001 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.001 | 0.000 |
| Insufficient payload (model declined to judge) | 0.815 | 0.114 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; both teacher heads agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".