Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
Broc Rossell is from California and lives in Vancouver, British Columbia, where he teaches poetry writing, literature, and interdisciplinary courses in culture and theory for the English and Humanities departments at Simon Fraser University. His work has appeared in 1913, Boston Review,Denver Quarterly, Fence, Harvard Review, jubilat, iO, Los Angeles Review of Books, The Laurel Review,Volt, and other places.\n"'The glass of water / on the table is / what's possible,' observes Broc Rossell, 'a little / flood / of elegance, / a recital.' The same could be said of Festival itself. This is a book of defamiliarizations, a recital of phenomenological possibility aflood in its own formal elegance, like a glass of water made prismatic and strange. Threading through the Halloween parade of Aaron Cardella's spectral artwork, the speaker of this collection leads us 'From leaf to branch / From branch to figure / From figure to ground / From ground into darkness,' where the catabasis of perception both ends and begins. Follow this guide and you'll find yourself 'in the center of the word Now, / in the center of the letter O,' at the point-blank degree zero of poetry."—Srikanth Reddy\n"A striking momentum drives this careful, meditative long poem in which the I strives to coincide with its body amid the rife overflow of the world. And it is that overflow, in all its vivid detail, that gives this work its deep wealth and visionary range. The attention to the world paid here, whether despairing, reminiscent, documentary, or jubilant, is always an act of applied love, a celebration of the passing present; every line rings with that commitment."—Cole Swensen\n"I write in praise of Broc Rossell, who writes in his own praise: 'scrap wire, aging automaton, / wastrel bumblefuck.' A poet of praise with a tongue sharp enough to cut space. I take his celebration to be sincere, although his tone is subdued, even mournful at times, and the sweetness of the images is tempered by darkness, as in a fairy tale. Is he criticizing every wrong thing, as Dave Hickey once suggested, by 'praising it in the wrong way'? Or have the right things never been duly celebrated before?"—Aaron Kunin\nMore Information:\nPoetry Northwest\nInknode\niO: Poetry\nInDigest\nH_NG M_N
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.000 |
| Meta-epidemiology (narrow) | 0.001 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.001 | 0.003 |
| Science and technology studies | 0.001 | 0.000 |
| Scholarly communication | 0.000 | 0.005 |
| Open science | 0.003 | 0.001 |
| Research integrity | 0.000 | 0.002 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it