Bibliographic record
Abstract
And Under That is a moving image work, presented in the group exhibition Stalking the Image: Margaret Tait and her legacy. \nArtists in the group exhibition were: Alberta Whittle, Kate Davis, Torsten Lauschmann, Anne-Marie Copestake, Charlotte Prodger, Stephen Sutcliffe, Duncan Marquiss, Rachel Maclean, Sarah Forrest. \n \n \nStalking the Image formed a celebration of the life, work and legacy of the pioneering Orcadian filmmaker, painter and poet, Margaret Tait (1918–99). Tait is one of the most visionary and stridently independent filmmakers to have emerged from Scotland, yet her work has until recently remained relatively unknown and its significance undervalued. \nAlthough Tait’s creativity found expression through a wide range of forms across art, film and poetry, she is best known as a filmmaker. She positioned herself resolutely outside of the commercial industry, instead developing a highly independent and unique approach that bears much more in common with the artistry of a poet than that of a commercial film director. Working primarily on 16mm film, she often borrowed a phrase from the poet Federico García Lorca – ‘stalking the image’ – to describe her philosophy and method. This approach of locating the true nature of things through concentrated observation is closely tied to a technique that she described as ‘breathing with the camera’. \n \nThis exhibition provided an opportunity to honour Tait’s achievements in her centenary year alongside work by nine contemporary artists and filmmakers. A survey of Tait’s experimental short films, made across 47 years and many places, features alongside a series of works commissioned as part of the Margaret Tait Award, Scotland’s most prestigious moving image award for artists. \nThe film installations are accompanied by a display of archival photographs, ephemera and other materials relating to Tait’s life, filmmaking process and writing. \nStalking the Image was presented in partnership with LUX Scotland to coincide with Margaret Tait 100, a year-long nationwide programme celebrating the centenary of Margaret Tait’s birth. Margaret Tait 100 is led by the University of Stirling with LUX Scotland and Pier Arts Centre. \nNicole Yip, Will Cooper
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.036 | 0.002 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; both teacher heads agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".