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Record W7009329747

Distinctions of Difference: Race, Queerness, & Homonationalism in Québec Cinema

2023· other· en· W7009329747 on OpenAlexaboutno aff

Bibliographic record

VenueSpectrum Research Repository (Concordia University) · 2023
Typeother
Languageen
Field
Topic
Canadian institutionsnot available
Fundersnot available
KeywordsMovie theaterQueerNationalismMulticulturalismPoliticsRepresentation (politics)NarrativeColonialism
DOInot available

Abstract

fetched live from OpenAlex

Distinctions of Difference: Race, Queerness, & Homonationalism in Québec Cinema Gregory Pablo Rodríguez-Arbolay, PhD Concordia University, 2023 This dissertation examines the distinct intertwining of race, queerness, and homo/nationalism in Québec cinema from 1960 to 2003. It traces important historical shifts in Québec and its cinema industries to frame the symbolic and material conditions of sexual and racial representation. Through the conceptual frameworks of queer of colour critique (Muñoz 1999) and homonationalism (Puar 2007), this dissertation questions how cinema has been used as a homo/nationalist tool to promote the notion of a modern and progressive Québec. It argues that Québec’s narrative of LGBTQ+ inclusion regulates visibility and representation in a manner that obscures queers of colour from its cultural imagination. Chapter 1 examines how the legacies of slavery and colonialism map upon the cultural homophobia of the emergent Québec nationalist project in Claude Jutra’s landmark film, À tout prendre (1963). Chapter 2 traces how the neoliberal collapse of Québec’s nationalist project gave way to new multicultural and sexual politics in Denys Arcand’s celebrated films, Le déclin de l’empire américain (1986) and Les Invasions barbares (2003). Chapter 3 examines the convergence of sexual and multicultural pluralism in Hunt Hoe’s independent film, Seducing Maarya (2000), the first Québec film to spotlight a queer character of colour. These films collectively chart the historical conditions of homonationalism by elucidating significant shifts in the cultural representation of queer(ed) and racialized subjects in late-twentieth-century Québécois cinema. Through illustrating the rise of LGBTQ+ politics in Québec, I frame how sexual nationalism came to converge with cultural imperialism in Québec cinema; and how it centres white homonormative subjects as symbols of Québec’s modernity. The dissertation contends that this progressive framework limits the possibilities for the representation of diverse racialized sexualities. Through films and historical materials, I challenge how Québécois queer people of colour have been rendered largely absent, silent, or tokenized within our cultural imagination. Overall, the dissertation challenges the notion of visibility and representation as a universal strategy for queers of colour to claim political agency and cultural citizenship.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.052
Threshold uncertainty score0.355

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0130.011
Scholarly communication0.0080.003
Open science0.0010.002
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0080.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.030
GPT teacher head0.285
Teacher spread0.255 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2023
Admission routes1
Has abstractyes

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Same venueSpectrum Research Repository (Concordia University)→French-language works237,207→