Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
True History of the Kelly Gang (Peter Carey) (Reviewed by Carolyn Bliss, University of Utah)The House of Breathing (Gail Jones) (Reviewed by Diana Brydon, University of Western Ontario)The Red Thread (Nicholas Jose) (Reviewed by Nicholas Birns, New School University)Republic of Women (Merrill Findley) (Reviewed by Donna Coates, University of Calgary)Scar Country (Rebecca Edwards) (Reviewed by Debbie Cornerford, University of Southern Queensland)Talking Pictures: Selected Poems (Riemke Ensing) and Wheatlands (Dorothy Hewett and John Kinsella) (Reviewed by Nils Eskestad, Copenhagen, Denmark)Barefoot Speech (John Mateer) and Seances (Louis Armand) (Reviewed by Tom Bishop, Case Western Reserve University)The Harbour (Dimitris Tsaloumas) (Reviewed by Jacques Khalip, Duke University)The Unforgiving Poem (Max Williams) and Collected Poems 1962-1991 (John Bray) (Reviewed by Herbert C. Jaffa, New York University)Zoo (John Kinsella and Coral Hull) (Reviewed by Susan M. Schultz)Wicked Heat (Kevin Hart) (Reviewed by Jacques Khalip, Duke University)A Beautiful Life (Michael Futcher and Helen Howard) (Reviewed by Stella Pulo, New York)Raising Spirits, Making Gold and Swapping Wives (Michael Wilding) (Reviewed by Steven Brodsky, Suffolk County Community College)Christina Stead's Politics of Place (Ann Blake) (Reviewed by Adi Wimmer, University of Klagenfurt, Australia)Voluntary Exiles: From Tamatove to Peking (Joan Rowlands) (Reviewed by Mark Klemens, Case Western University)The Olympics At the Millennium (Kay Schaffer, ed.) (Reviewed by Martin Wechselblatt, University of Cincinnati)Australian Cowboys, Roughriders, and Rodeos (Jenny Hicks) (Reviewed by Jim Hoy, Emporia State University)Talkin' Up To The White Woman: Indigenous Women and Feminism (Aileen Moreton-Robinson) (Reviewed by Lenora Foerstel, Columbia, Maryland)When Darkness Falls (John Bodey) (Reviewed by Marilyn Strelau, Simsbury High School)The Odd Couple: Blamey and MacArthur at War (Jack Gallaway) (Reviewed by Charles W. Arnade)The Birth of Sydney (Tim Flannery, ed.) (Reviewed by Robert Zeller, Southeast Missouri State University)
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.002 | 0.002 |
| Meta-epidemiology (broad) | 0.002 | 0.001 |
| Bibliometrics | 0.005 | 0.003 |
| Science and technology studies | 0.000 | 0.001 |
| Scholarly communication | 0.000 | 0.001 |
| Open science | 0.002 | 0.001 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.006 | 0.067 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it