Bibliographic record
Abstract
Entre sus exposiciones y proyectos individuales destacan: Todo importa, Cicus, Sevilla (2020); PAM Side event at The Anti-Personnel Mine Ban Conventión, Oslo, Noruega(2019); Historia de un cuaderno, Espacio El Meteorito (2018); Día a Día, Galería Formato Cómodo, Madrid (2014); Cantando mi mal espanto, CAAC Centro Andaluz de Arte Contemporáneo Sevilla (2011). Los abandonados, Off Photoespaña 09, Madrid (2009), ¡A pintarropa! desarrollado dentro de ARTifariti, Encuentros Internacionales de Arte en los Territorios Liberados del Sahara Occidental,(2008-2019) La felicidad en el trabajo, Intervalo, Flamenco y Arte Contemporáneo. Sala Imagen ,Cajasol, Sevilla, 6 asaltos 6, Suffix Arte Contemporáneo, Sevilla (2008); Stroh zu Gold, Gallery-33 Fon, Berlin (2007); La celda grande, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz (2006-07); La Carcoma Hedonista, Neilson Chapman Gallery, Grazalema (2004); Galería DV, San Sebastián (2003); Incómodo, Sala de eStar, Sevilla (2002); Cada Cual a su Tirano, Galería Buades, Madrid (1998); Acceder al interior es necesario, Galería Berini, Barcelona (1997); Casa de Luces, Galería Cavecanem, Sevilla (1996); Alonso Gil Ascan Crone Galerie, Hamburgo, Alemania (1989). Algunos de sus proyectos individuales son: An Error Occurred, Foro Sur, Cáceres (2001); Doméstico 02, Madrid (2000); y Deleitarse en la N y deleitarse en la O, Museo Ex Teresa Arte Actual, México D.F. (2000). Ha participado en exposiciones colectivas como: Afrotópicos. Núcleo de Arte. Maputo. Mozambique (2019) Provincia 53. Musac. León/CDAN Huesca, (2017-18); Art beyond boundaries. NIV Art Gallery. New Delhi. India (2016); El Mediterraneo como frontera, realidad y representación. Centro de las Artes de Sevilla. CAS (2016); Humanitarian Aid for the First World. Nuit Blanche Toronto, Canadá (2015); Fin de Fiesta en Sevilla. Musée International des Arts Modestes de Séte, París ( 2014); The Good Life, Semmer Galerie, Berlín, Germany (2013); Let´s Twist Again, Womad Festival, Wiltshire, U.K (2012 ); Living as Form. Creative Time, New York, Nueva York (2011);La Chanson, CAAC Centro Andaluz de Arte Contemporaneo (2011); The length of a song, Kobochika Gallery, Tokio. Japan (2010);Political Art Issues, Periferias, Huesca (2005); La alegría de mis sueños. I Bienal de Arte Contemporáneo de Sevilla (BIACS) (2004); Transacciones / Fadaiat. Archivo multimedia on line. Tarifa/Tanger I, UNIA arte y pensamiento (2004); Lost boys, Smart Project Space, Amsterdan (2003); Flashed out, Instant Cities, Instituto de México, París (2003); Seen, Fact, Liverpool (2003); Manifesta 4, Frankfurt (2002) Living Proof, Newcastle (2002); Falling on you, 38 Langham Street Londres,U.K (2002); Down, Galleria Gian Carla Zanutti, Milano (2002); III Festival Internacional de Arte Sonoro Ex Teresa Arte Actual, México D.F., México.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.000 |
| Meta-epidemiology (narrow) | 0.002 | 0.002 |
| Meta-epidemiology (broad) | 0.002 | 0.002 |
| Bibliometrics | 0.002 | 0.002 |
| Science and technology studies | 0.001 | 0.002 |
| Scholarly communication | 0.000 | 0.001 |
| Open science | 0.003 | 0.002 |
| Research integrity | 0.003 | 0.002 |
| Insufficient payload (model declined to judge) | 0.010 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; both teacher heads agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".