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Record W7017061443

Accidents With Nature and Each Other

2005· other· en· W7017061443 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueBulletin of Miscellaneous Information (Royal Gardens Kew) · 2005
Typeother
Languageen
FieldBiochemistry, Genetics and Molecular Biology
TopicMachine Learning in Bioinformatics
Canadian institutionsnot available
Fundersnot available
KeywordsGuitarStyle (visual arts)ViolinMovement (music)String (physics)MelodyShot (pellet)Laughter
DOInot available

Abstract

fetched live from OpenAlex

It is not unusual for the world-beating Montreal, Canada underground music scene to gestate and nurture a genre-bending artist of Harris Newman's caliber. Yet Newman's unique approach to the compositional acoustic steel-string style sets him apart from the herd, both in his hometown and far beyond. A veteran of the Montreal music community for some time, as a member of the bands Sackville (Constellation Records) and Esmerine (Resonant), Newman shot into the ranks of the new folk movement with the release of his well-received debut Non-Sequiturs (Strange Attractors, 2003). Intuitively melding sunny, "Fahey-esque" acoustic ditties with experimental sonics, Non-Sequiturs was a breath of fresh air. Come to find that Newman was merely hinting at grander things to come. Accidents with Nature and Each Other is a tremendous leap forward for Newman, a remarkable adaptation of his impeccable Takoma-esque fingerstyle into broader regions of harmonic complexity, texture and structure. Newman's strengths lie in his dexterous ability to borrow from the traditions of the steel string guitar movement while propelling it forward into postmodern realms. Accidents with Nature and Each Other has time-honored solo acoustic grandeur on full display, but Newman brings many more variables to the table. Experiments with the raw sounds of the naked steel string and a wider palette of instrumentation augment beautifully his particular brand of guitar soli. The result is a rather diverse array of sounds and structures, all centered on the acoustic guitar. Languid, gorgeous melodies and hefty fingerpicking workouts bump up against ghostly harmonics and acoustic drones. A trio of solo workouts mark the beginning of the album, harkening both the aggressive trajectory of Leo Kottke and pastoral terrain of Robbie Basho…after that, all bets are off. Newman's unorthodox lapsteel playing paints eerie landscapes on "It's a Trap (Part I)", flowing into "Lake Shore Drive", a deep and dreamy pool of color made vibrant by contributions from Sandro Perri (Polmo Polpo) and Bruce Cawdron (Godspeed You! Black Emperor). Vast expanses of Ry Cooder's lonesome Americana brush up with harmonic drone on "A Thousand Stolen Blankets…", Sandy Bull/Billy Higgins-style of jazzy raga meet acoustic post-rock with "Lords & Ladies", and opiated lounge melds with a Twin Peaks vibe on "Driving All Night With Only My Mind". Today's avant folk movement has found a fresh new vision from the heart, soul and fingers of Harris Newman. Accidents with Nature and Each Other is simply a jaw-dropping sophomore effort of forward-thinking solo acoustic music - with Fahey squarely in the rear view mirror. - Strange Attractors

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesInsufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.074
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0010.000
Insufficient payload (model declined to judge)0.0750.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.002
GPT teacher head0.190
Teacher spread0.188 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it