Crisis teatral en Madrid durante el Trienio Liberal
Bibliographic record
Abstract
In the spring and summer of 1820, the Madrid City Hall systematically failed to comply with the Reglamento de Teatros dictated by the Regency in 1812. The directors of the two troupes, Bernardo Gil and Antonio González, attempted in vain to have the constitutional laws enforced. This provoked a serious crisis made worse by the fact that the spectators also showed a preference for other more political venues. The lack of response on the part of the local authorities led the directors to cancel performances for several days in August and to publish a Manifiesto explaining their decision. When, for the following season, the aldermen drew up a new set of regulations which once again contravened the Regency’s Regulations, Bernardo Gil proposed his own Proyecto de Reforma, dated en April of 1821. Apart from a comprehensive proposal for theatrer reform he advances sound arguments defending the actors’ rights as citizens who make an honest living in an honorable profession. El Ayuntamiento madrileño, en la primavera y verano de 1820, incumple sistemáticamente el Reglamento de Teatros aprobado por la Regencia en 1812, por lo cual los directores de las dos compañías cómicas, Bernardo Gil y Antonio González, efectuarán infructuosas gestiones a fin de que el Consistorio aplique las leyes constitucionales, lo que provoca una grave crisis teatral agudizada porque los espectadores prefieren acudir a otros recintos de carácter más político. Ante la falta de respuesta de las autoridades locales los directores suspenden las funciones durante unos días en el mes de agosto y publican un Manifiesto en el que justifican su postura. Para la temporada siguiente los regidores municipales elaboran una normativa que contraviene el ordenamiento teatral de la Regencia, de ahí que Bernardo Gil redacte un Proyecto de Reforma, fechado en abril de 1821, en el que además de una propuesta dramática integral defenderá con sólidos argumentos los derechos que tienen los cómicos como ciudadanos que ganan su sustento desempeñando una actividad honrada.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.002 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.003 | 0.003 |
| Scholarly communication | 0.007 | 0.001 |
| Open science | 0.001 | 0.004 |
| Research integrity | 0.004 | 0.006 |
| Insufficient payload (model declined to judge) | 0.016 | 0.003 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".