Accordion Noir 2019-06-19: Country In The Crux
Bibliographic record
Abstract
AccNoir-2019-06-19, Country in the Crux * Daniel Kahn & The Painted Bird – Beyze Vintn – The Broken Tongue/Dos Tsebrokhene Loshn (2006) – Detroit-New York, USA / Berlin, Germany – paintedbird.net http://holocaustmusic.ort.org/index.php?id=270 * Amsterdam Klezmer Band – Immigrant Song – Remixed (2006) – Amsterdam, the Netherlands – http://www.amsterdamklezmerband.nl/news.html * Laura Merrimen – Time – Love Letters For Lonely Hunters (2010) – Nova Scotia, Canada – Erin Costello, acc. http://lauramerrimen.com/ * Vagabond Opera – Carnival Du Monde – Whatyoudo (2002) – Portland, Oregon, USA – * Alec K. Redfearn & The Eyesores – The Bible Lite – The Quiet Room (2005) – Providence, Rhode Island, USA (Home of HP Lovecraft!) – http://www.aleckredfearn.com/information.html * J.J. Voss – Innocent Man – Hillbilly Storybook (2008) – Regina, Saskatchewan, Canada – http://www.jjvoss.com/ * Ann Savoy – Cleoma's Blues – Accordion Babes 2019 (2018) – http://annsavoy.com https://accordionpinupcalendar.com * Pee Wee King (Frank Julius Anthony Kuczynski) – Woodchopper's Ball – Blue Suede Shoes: Gonna Shake This Shack Tonight (1955) – Milwaukee, Wisconsin / Nashville, Tennessee, USA – http://www.bear-family.de * Cal Shrum & His Rhythm Rangers – Haas Stomp – from Kevin Coffey's collection (1942) – Los Angeles, California, USA – (Paul Sells, acc.) * Speedy West (Billy Liebert, acc.) – Wild And Wooly West – Guitar Spectacular (1962) – http://en.wikipedia.org/wiki/Speedy_West * Zulya – Children's Bird Song – 3 Nights (2007) – Tatarstan, Russia; Australia – http://www.zulya.com/ * Cris Cuddy – 40 More Years Of Drudgery – The Boy From Beaumont (2012) – Ontario, Canada – www.criscuddy.com * Tex Williams, Joaquin Murphey - Steel Guitar – Texas Playboy Rag – Tex Williams On The Air 1947-1949 (194?) * Texas Jim Lewis – I Caught You Winking Those Brown Eyes at Me – From 1940s Transciption Disks – http://therockingipsy.blogspot.com/2010/03/texas-jim-lewis-31-radio-transcriptions.html * Emmylou Harris – Kern River – All I Intended To Be (2008) – Phil Madeira, acc. * The Pogues – The Body Of An American – The Very Best Of The Pogues (1986) – Ireland / UK – http://www.pogues.com/ * Curley Hicks & His Tap Room Boys – Limehouse Blues – from Kevin Coffey's collection (1940) – Atlanta, Georgia, USA – (Elmer Hicks, acc.)
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.001 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.001 | 0.000 |
| Science and technology studies | 0.000 | 0.001 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.002 | 0.001 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.018 | 0.009 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; both teacher heads agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".