Bibliographic record
Abstract
Camera flash while caught mid-chew / Christina Smith -- The Moon is a Black Woman (Acrylic Paint) / Angel Bird -- Girl Seeking God / Petra -- The Frozen Leaf /Christopher Stack -- Fern Fantasy (Photography) / Lily Fiore -- rose-colored sky / Sydney Evans -- Pitchforks /Shannon Connolly -- Untitled (Photography) / Maia Hay -- Intentionally Random (Ink) / Bailey DeBiase -- Untitled / Faheem Dyer -- Temptress (Pen and Photoshop) / Gracie Vicente -- serve god, love me, and mend / Mazie Starratt -- Wilted / Emily Gray -- A Love Poem / Anonymous -- Salvation in a Highway Motel (Photography) / Caroline Chaffiotte -- A Poet’s Sunrise /Christopher Stack -- The Stories of Strangers / Gracie Vicente -- Traveling Monster (Pen and Marker) / Timothy McCormack -- hot takes from the Target changing room / Christina Smith -- A Grievance from One Burdened by the Knowledge of an Ever Present Sense of Oblivion / Caroline Chaffiotte -- The Anatomy Lesson / Hannah McIssac -- Tchaikovsky (Photography) / Nadia Joan -- I wandered lonely as a fish / Rebecca Spadacenta -- Rule: Night Bed Start Prowl Floor / Caroline Fournier Dyhrberg -- epiphany at noon (Watercolor and Pen) / Emily Gray -- to the person looking at the same painting that i am right now / Mazie Starratt -- Canty Bay (Photography) / Maia Hay -- Continental Drift / Eliza Browning -- The Matador’s Lament / Eli Teitelman -- Nautilus (Pen and Ink) / Min Bae -- Seagrass / Eric R. Pfeiffer -- Essential Foundations / Shannon Connolly -- King’s Sunset / Sierra Proft -- Cloud Creator / Jessica Heberlein -- a poem for the mist and my morning tea / Emily Gray -- Lost in Thought? (Relief Printmaking) / Bhavika Dugar -- The Streets of Quebec / Gracie Vicente -- Sana, Sana, Culito de Rana... / Tessa Demko -- Almost Like Home (Ink) / Bailey DeBaise -- field notes / Sydney Evans
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.002 |
| Meta-epidemiology (narrow) | 0.002 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.002 | 0.002 |
| Science and technology studies | 0.003 | 0.001 |
| Scholarly communication | 0.007 | 0.004 |
| Open science | 0.002 | 0.004 |
| Research integrity | 0.002 | 0.002 |
| Insufficient payload (model declined to judge) | 0.946 | 0.913 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".