GAMBARAN DAN TELAAH MAKNA QUARTER LIFE CRISIS DALAM LIRIK LAGU ALBUM MANTRA-MANTRA KARYA KUNTO AJI \n(KAJIAN SEMIOTIKA)
Bibliographic record
Abstract
Semiotics is a science that examines signs that can be in the form of images or words. Song lyrics are one of the literary works that have the same density level as poetry, which aims to describe the ideas, ideas, or messages the author wants to convey, just like the song lyrics in the Mantra-Mantra album by Kunto Aji. Based on this, the formulation of the problem in this study is (1) how the meaning contained in the nine song lyrics in the Mantra-Mantra album by Kunto Aji, (2) How is the description of the Quarter Life Crisis problem contained in the nine song lyrics in the Mantra-Mantra album by Kunto Aji. The method used in this research is descriptive method. The data sources in this study are nine texts of song lyrics in the Mantra-Mantra album by Kunto Aji by observe to data quotes from song lyrics through several steps, namely (1) data collection, (2 ) data selection, (3) data exposure, (4) conclusion. \nFrom the results of the analysis and discussion, it is concluded that the song lyrics in the Mantra-Mantra album which were analyzed based on the semiotic signifier and signified of Ferdinand De Saussure about the emergence of fear of overcoming dreams and hopes, about competition in fighting for a career and work, the emergence of a sense of failure in achieving the desired dream, indecision in determining the way of life, interpersonal relationship problems experienced by millennials problems in overcoming a sense of loneliness, and problems in loving self. This study also found three problem areas for the Quarter Life Crisis in the Mantra-Mantra album which were motivated by the emergence of feelings of being trapped and the urge to change the situation in the problem area, the problem of dreams and hopes in the lyrics of the song "Rancang Rencana, Jakarta Jakarta dan Rehat" , problem areas regarding work and career in the lyrics of the song "Konon Katanya", and problem areas of relations, love and family in the lyrics of the song "Topik Semalam, Pilu Membiru, Saudade, Sulung and Bungsu"
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.001 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.001 |
| Science and technology studies | 0.002 | 0.001 |
| Scholarly communication | 0.002 | 0.001 |
| Open science | 0.000 | 0.001 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.011 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".