I Don’t: The Commodification of the Bride in Montreal Art from the 1970s
Bibliographic record
Abstract
This thesis investigates some of the specific local articulations of the international Women’s Liberation Movement created by artists in Montreal at the beginning of the 1970s. I highlight the prevalence of the commodification of women through marriage as a main focal point for this investigation. My case studies are Mauve’s performances, manifesto and installation, entitled La femme et la ville (1972), and Francine Larivée’s environment-event La chambre nuptiale (1976). The first section of the thesis explores Mireille Dansereau’s documentary J’me marie, j’me marie pas (1973) as an introduction to the social and political contexts in which Mauve’s and Larivée’s works were created. In the second section, I discuss the development of feminism in Montreal, and the history of the institution of the family. The third section examines Mauve’s and Larivée’s works, and their exploration of the bride in relation to commodities, in the context of an increasingly consumerist society. I focus my discussion on commercial mannequins and the white wedding dress, two elements that are at the centre of both La femme et la ville and La chambre nuptiale. Additionally, the thesis casts a critical glance at the ambivalence that characterizes sexually empowered women in the media as both objects of male desire and independent, emancipated individuals. The fourth section deals with the impact of pop art, its Quebec counterpart, ti-pop, and with the cultural democracy model. I conclude my thesis by showing that the commodification of the bride and marriage is a topic that is still relevant today, perhaps even more than it was in the 1970s.
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.001 |
| Science and technology studies | 0.001 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.002 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".