As artes cênicas em um mundo de carbono e silício : perspectivas de (re)significação dos elementos cênicos constituintes na cena contemporânea a partir da incorporação da linguagem audiovisual e da hipermídia
Bibliographic record
Abstract
The present thesis presents some considerations on the dramatic arts in the current days, specifically on the new aesthetic products originated from the incorporation of the hypermedia and the audiovisual language. It is an attempt to understand the perspectives of (re)signification of its constituent elements. The building of such new artistic moves by their creators and public becomes the result from the dilution of the frontiers, of a deterritorialization, of a current and emerging hybridization of a number of aspects of human knowledge. Within such a postmodern scene the digital language connected to the dramatic arts in an unprecedented process of crossing between their respective languages characterizes the unrelenting search for communication to amplify human telos by means of the arts. It is also an attempt to understand the possible paradigmatic ruptures installed through an alert look at the revolution generated by the digital culture in the universe of the arts, anchored in a process of feedback between the postmodern subject and context. Thus, to investigate the emerging new configurations for an art that still has no name, and of the (re)signification of the constituent elements that comprise the dominant view for the dramatic arts in a postmodern intercultural scene, a discussion is made on the theatrical productions by the Brazilian Phila 7 and Teatro para Alguém, the British Station House Opera and Royal Shakespeare Conpany, and by the French-Canadian performer Robert Lepage, and the group from Catalunya, La Fura del Baus
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.003 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.002 | 0.002 |
| Science and technology studies | 0.009 | 0.018 |
| Scholarly communication | 0.006 | 0.003 |
| Open science | 0.001 | 0.004 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.005 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".