Exhibition floor talk | Distance and displacement
Bibliographic record
Abstract
I make work that feels like I’ve discovered a hidden portal in the forest and walked through it. Creating pieces with dimension and storybook style narratives pull me along until I fall out the other side with twigs in my pockets and moss on my shoes. Photographs and drawn pictures are my tools used to create these places, sculpting with time and imagery, documenting, then revealing the moments of discovery. When something inspires me I want to move around it, sit beside it, touch it and listen...beyond this there is always a faint path with footsteps to follow. Born in Winnipeg, Dawn Dudek moved to Toronto where she became a graduate of the Ontario College of Art. Her career began as Jr. Art Director for MAC cosmetics after which she joined TOPIX/Mad Dog studio as Director of Broadcast Animation for clients including Paramount Pictures, MTV and General Mills foods. A move to online media at Maclaren McCann Interactive (MMI) followed as Art Director for clients such as Nesquik and General Motors. In 2001 Dudek relocated to France to focus on her art. Currently based back in Canada, her multi-disciplinary work reflects a contemporaneous awareness of her environment with a tension between the familiar and the unknown. The animated loops shown in the BLUE MINDS exhibition were made to encapsulate and highlight the mystery and reverence of marine life and our oceans. These images were developed with corresponding messages to help educate and raise awareness for conservation efforts and were developed with the Marine Education and Research Society (MERS), British Columbia, Canada. Dawn has exhibited throughout France, Spain, Monaco, Canada, Italy, UK and twice at the prestigious Salon de la Société Nationale des Beaux-Arts in the Carrousel du Louvre, Paris followed by a solo exhibition of her Filmscapes paintings at the 63rd Festival De Cannes. For 6 months in 2020 Dawn was Artist In Residence at the Fremantle Arts Centre and AIR at Sointula Art Shed on Malcolm Island, Canada for August 2022. During both residencies she continued to work on paintings for her project “Distance & Displacement” which will be exhibited at ECU Gallery 25 for Fringe World Perth in February 2023. Recently included in Artlyst’s “Contemporary Artists In The Spotlight 2023”, Dawn is currently working with AH Studios, London and continues to assist MERS with visual storytelling while creating artwork for a future animated short film project.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".