Bibliographic record
Abstract
Webcast sponsored by the Irving K. Barber Learning Centre and hosted by the Robson Reading Series. Ray Hsu is a poet, activist and scholar who teaches creative writing at UBC. His book Anthropy won the 2005 League of Canadian Poets’ Gerald Lampert Award and was shortlisted for the Trillium Book Award for Poetry. He has published over 100 poems in more than 35 journals across Canada, the U.S. and the U.K., including Fence, The Fiddlehead, and New American Writing. Cold Sleep Permanent Afternoon, the follow-up to Anthropy, is the second book in a prospective trilogy that explores the “grammar of personhood.” Evelyn Lau was born in Vancouver in 1971. She is the author of four volumes of poetry, two works of non-fiction, two short story collections and a novel. Runaway: Diary of a Street Kid, published when she was 18, was a Canadian bestseller and was made into a CBC movie starring Sandra Oh in her first major role. Lau’s prose books have been translated into a dozen languages worldwide. You Are Not Who You Claim won the Milton Acorn People’s Poetry Award; Oedipal Dreams was nominated for the Governor-General’s Award. Her work has appeared in over 100 literary magazines, garnering four Western Magazine Awards and a National Magazine Award. She has also won the Air Canada Award for Most Promising Writer and the Vantage Women of Originality Award. Her poems have been included in the Best American Poetry and Best Canadian Poetry series. She has read from and discussed her work at literary festivals and universities around the world; she has freelanced as a mentor to aspiring writers through UBC’s Booming Ground and SFU’s Writing and Publishing Program. Living Under Plastic represents a major departure from Lau’s previous poetry books. It opens up to explore new subjects: family history, illness, death and dying, consumerism and the natural world. In a tone that is often elegiac, without ever being maudlin, these poems are steeped in immortality and loss.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.002 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.002 | 0.002 |
| Science and technology studies | 0.002 | 0.001 |
| Scholarly communication | 0.006 | 0.004 |
| Open science | 0.001 | 0.003 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.524 | 0.272 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".