Pourquoi ce travail est dans la base
Une base qui oublie comment elle a trouvé un travail ne peut pas être vérifiée. Voici les voies qui ont admis celui-ci.
Notice bibliographique
Résumé
Webcast sponsored by the Irving K. Barber Learning Centre and hosted by the Robson Reading Series. Ray Hsu is a poet, activist and scholar who teaches creative writing at UBC. His book Anthropy won the 2005 League of Canadian Poets’ Gerald Lampert Award and was shortlisted for the Trillium Book Award for Poetry. He has published over 100 poems in more than 35 journals across Canada, the U.S. and the U.K., including Fence, The Fiddlehead, and New American Writing. Cold Sleep Permanent Afternoon, the follow-up to Anthropy, is the second book in a prospective trilogy that explores the “grammar of personhood.” Evelyn Lau was born in Vancouver in 1971. She is the author of four volumes of poetry, two works of non-fiction, two short story collections and a novel. Runaway: Diary of a Street Kid, published when she was 18, was a Canadian bestseller and was made into a CBC movie starring Sandra Oh in her first major role. Lau’s prose books have been translated into a dozen languages worldwide. You Are Not Who You Claim won the Milton Acorn People’s Poetry Award; Oedipal Dreams was nominated for the Governor-General’s Award. Her work has appeared in over 100 literary magazines, garnering four Western Magazine Awards and a National Magazine Award. She has also won the Air Canada Award for Most Promising Writer and the Vantage Women of Originality Award. Her poems have been included in the Best American Poetry and Best Canadian Poetry series. She has read from and discussed her work at literary festivals and universities around the world; she has freelanced as a mentor to aspiring writers through UBC’s Booming Ground and SFU’s Writing and Publishing Program. Living Under Plastic represents a major departure from Lau’s previous poetry books. It opens up to explore new subjects: family history, illness, death and dying, consumerism and the natural world. In a tone that is often elegiac, without ever being maudlin, these poems are steeped in immortality and loss.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,000 |
| Études des sciences et des technologies | 0,000 | 0,000 |
| Communication savante | 0,000 | 0,000 |
| Science ouverte | 0,000 | 0,000 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,013 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découle