Robert MacFarlane — Is a River Alive? - with Ross Andersen
Bibliographic record
Abstract
Hailed in the New York Times as "a naturalist who can unfurl a sentence with the breathless ease of a master angler," Robert Macfarlane brings his glittering style to a profound work of travel writing, reportage, and natural history. Is a River Alive? is a joyful, mind-expanding exploration of an ancient, urgent idea: that rivers are living beings who should be recognized as such in imagination and law. Macfarlane takes readers on three unforgettable journeys teeming with extraordinary people, stories, and places: to the miraculous cloud-forests and mountain streams of Ecuador, to the wounded creeks and lagoons of India, and to the spectacular wild rivers of Canada--imperiled respectively by mining, pollution, and dams. Braiding these journeys is the life story of the fragile chalk stream a mile from Macfarlane's house, a stream who flows through his own years and days. Powered by dazzling prose and lit throughout by other minds and voices, Is a River Alive? will open hearts, challenge perspectives, and remind us that our fate flows with that of rivers--and always has. Robert Macfarlane is internationally renowned for his writing on nature, people, and place. His best-selling books include Underland , Landmarks , The Old Ways , The Wild Places , and Mountains of the Mind ; they have been translated into more than thirty languages, won many prizes around the world and been widely adapted for film, music, theatre, radio, and dance. He has also written operas, plays, and films including River and Mountain , both narrated by Willem Dafoe. He has collaborated with artists including Olafur Eliasson and Stanley Donwood, and with the artist Jackie Morris he co-created the internationally best-selling books of nature-poetry and art, The Lost Words and The Lost Spells . In 2017, the American Academy of Arts and Letters awarded him the E. M. Forster Prize for Literature. Macfarlane lives in Cambridge, England, where he is a fellow of Emmanuel College, Cambridge. Macfarlane will be in conversation with Ross Andersen . Andersen is a staff writer at The Atlantic , where he covers science, technology, and culture. He is also at work on a book on the search for intelligent life elsewhere in the universe for Random House.
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.001 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.001 | 0.000 |
| Science and technology studies | 0.000 | 0.001 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.001 | 0.001 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.045 | 0.003 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; both teacher heads agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".