Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
This two-volume dissertation contains an analysis text (Volume 1) of the complete musical score for Catching Air and the Superman (Volume 2), which is an approximately fifteen-minute, one-movement composition for sixteen musicians.It features interactive electronics through an integration of gestural controllers, known as t-sticks, and acoustic instruments.In total, three digital instruments are heard in the work: MIDI keyboard and two soprano t-sticks.The acoustic instruments constitute a chamber orchestra: flute (piccolo), oboe, clarinet, tenor saxophone, baritone saxophone, trumpet, trombone, two percussion, two violins, viola and violoncello.The following analysis begins with a contextual examination of electronic music technology in relation to the compositional project.Next, the concepts and models of Catching Air and the Superman are outlined.The remainder of Volume 1 contains a detailed discussion pertaining to: compositional structure and form, spectral and pitch space, object and motif, rhythm, timing and tempo.Ce document en deux volumes comprend une analyse (volume 1) de l'intgralit de la partition (volume 2) de Catching Air and the Superman, une composition pour seize musiciens, en un mouvement, d'environ quinze minutes.L'oeuvre fait intervenir la fois des lments lectroniques, contrls par deux interfaces gestuelles, appels t-sticks, et des instruments acoustiques.Au total, trois instruments lectroniques peuvent tre entendus dans cette pice : un clavier MIDI et deux t-sticks sopranos.Les instruments acoustiques constituent un orchestre de chambre comprenant : une flte (piccolo), un hautbois, une clarinette, deux saxophones, un tnor et un baryton, une trompette, un trombone, deux jeux de percussions, deux violons, un alto ainsi qu'un violoncelle.L'analyse qui suit dbute par un historique de l'volution de l'usage des technologies lectroniques en composition pour arriver au contexte de ce projet spcifique.Les concepts et modles intervenant dans Catching Air and the Superman sont prsents la suite de cet historique.Le restant du volume 1 comprend une discussion dtaille des aspects suivants : structure et forme de la composition, espace spectrale et champ des hauteurs, traitement des objets sonores et travail motivique, rythmes, minutage et tempo.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.000 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.002 | 0.000 |
| Scholarly communication | 0.000 | 0.001 |
| Open science | 0.001 | 0.000 |
| Research integrity | 0.000 | 0.003 |
| Insufficient payload (model declined to judge) | 0.001 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it