Bibliographic record
Abstract
Temple Bar Gallery + Studios presents Publication Scaffold, a series of events, performances, installations and discussions held during the opening weekend of Dublin Art Book Fair 2019, curated by artists Michele Horrigan and Sean Lynch, and curator Jo Melvin. Publication Scaffold finds practical and metaphorical ways of envisaging the process of publishing. It points to books not solely as objects, but as conversation and encounter, as discursive notions surrounding their own existence. Publication Scaffold plans to go up, down and around Temple Bar Gallery + Studios, to be encountered in surprising places and times throughout the fair’s schedule. It is fitted and bolted together both by hand and by thought, making operative spaces for wide-ranging and digressive territories. Pages turn, words are uttered, platforms for communal discovery emerge. Juxtaposition and serendipity are fundamental to these investigations, leading to new ways of thinking about the portable, malleable exhibition format as a publication itself. Highlights include a launch of John Hutchinson’s new publication, and Ruth Clinton and Niamh Moriarty present a talk on their practice. Emanuele De Donno reveals the inner workings of Viaindustriae, an expansive publishing and research initiative based in Foligno, Italy, while John Carson and Conor Kelly’s sprawling psychogeographic artwork, Evening Echoes, presented at TBG+S back in 1995, is reprised. Gareth Bell-Jones speaks of artist John Latham’s challenges to ideas of perceived knowledge. Vukašin Nedeljkovic urgently interrogates the social conditions and experiences of asylum seeker accommodation in Ireland. Renata Pekowska showcases her continuing research on the role and history of artists’ books in Ireland, while Wayne Daly entangles himself with the legacies of visionary architect Cedric Price. Dan Starling skypes in from Vancouver his adaption of Charlie and the Chocolate Factory, and as Adam Chodzko’s world revolves at pace, surprising relationships and connections occur through his affirmative actions. Gene Beery’s self-published artist books are pithy critiques of arts institutions and social mores, while Ramon Kassam navigates the neoliberal cultural infrastructures that have appeared in Ireland. Cesare Pietrousti exposes the inherent commodification in distribution networks and trans-active exchange. Barry Flanagan’s concrete poetry will be performed at Publication Scaffold, as Elisabetta Benassi recontextualises the archives of 20th-century news into sculptures, film, books and slides. Juan Sandoval explores the concept of land, extracting soil from industrial sites and places of political and social conflict to make ceramic objects. Publication Scaffold at Dublin Art Book Fair has been made possible by an Arts Council Arts Grant, along with support from the Artist Residency Programme at the Irish Museum of Modern Art, Dublin; Askeaton Contemporary Arts, Limerick, and Mahler & Lewitt Studios, Spoleto.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.004 | 0.021 |
| Meta-epidemiology (narrow) | 0.001 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.001 |
| Bibliometrics | 0.005 | 0.006 |
| Science and technology studies | 0.004 | 0.001 |
| Scholarly communication | 0.021 | 0.013 |
| Open science | 0.003 | 0.010 |
| Research integrity | 0.003 | 0.003 |
| Insufficient payload (model declined to judge) | 0.832 | 0.768 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".