Tosc@Bologna.2015: 30 giugno -2 luglio 2015 - Dipartimento e altre sedi

1st T ransnational O pera S tudies C onference Bologna, Italy. 30 June - 2 July 2015 PROGRAMME COMMITTEE Marco Beghelli (Università di Bologna, I) Anselm Gerhard (Universität Bern, CH) Emanuele Senici (Università di Roma “La Sapienza”, I) Benjamin Walton (University of Cambridge, UK) CONFERENCE COORDINATOR Marco Beghelli OOO ASSISTANT COORDINATORS Valentina Anzani, Nicola Usula The 1st T ransnational O pera S tudies C onference ( tosc@bologna.2015 ) will be hosted by the University of Bologna, at the Dipartimento delle Arti (via Barberia 4, Bologna, Italy), from 30 June to 2 July 2015. The Dipartimento delle Arti has generously offered to include the Conference as part of the programme 2015 of the Centro di Promozione Teatrale “La Soffitta” and provide meeting rooms and technical support, with the collaboration of the Archivio del Canto . The call for papers of tosc@bologna.2015 received 211 proposals from 27 countries: Australia (1), Austria (5), Belgium (2), Brazil (5), Canada (5), China (4), Czech Republic (3), Denmark (1), Finland (2), France (8), Germany (15), Hungary (1), Israel (5), Italy (50), Japan (2), Norway (2), Poland (3), Portugal (4), Russia (3), Slovakia (2), Spain (6), Sweden (6), Switzerland (3), Turkey (1), United Kingdom (19), United States (52), Uruguay (1). The topics proposed spanned all historical periods, as well as touching on various issues related to opera in its widest sense: 17th century (8%), 18th century (12%), 19th century (32%), 20th century (18%), 21th century (5%), performers & performance (12%), opera & media (6%), other (7%). Sixty-nine papers have been accepted for the Conference. Attendance at the Conference is subject to registration and only a limited number of places are available. Registration (not speakers only): http://archiviodelcanto.dar.unibo.it/registration/ PROGRAMME Monday 29 June 2015 Evening 18:00 Regia Accademia Filarmonica di Bologna (Palazzo Carrati, via Guerrazzi 13) Welcome Reception Chair: LORIS AZZARONI (R. Accademia Filarmonica di Bologna, I) SALA ROSSINI Organ by Carlo Traeri (1673) MICHELE VANNELLI, organ ( Università di Bologna, I) ARCHIVIO STORICO Visit to the musical collections of the Accademia Filarmonica SALA MOZART MARIO ARMELLINI & ROMANO VETTORI (Université de Rouen, F – Conservatorio di musica “G. Tartini” di Trieste, I) Mozart’s examination papers for admission to the Accademia Filarmonica (9 October 1770) WOLFGANG AMADÉ MOZART, Quaerite primum regnum Dei (antiphon K. 86 / 73v) PADRE GIOVANNI BATTISTA MARTINI?, Quaerite primum regnum Dei (antiphon for Mozart’s affiliation to the Accademia Filarmonica di Bologna) Members of the CAPPELLA MUSICALE ARCIVESCOVILE DELLA BASILICA DI SAN PETRONIO IN BOLOGNA conducted by MICHELE VANNELLI 20.00 Dinner suggestion: pizza (reservation in advance) at the Pizzeria Regina Margherita via Santo Stefano 33/A Tuesday 30 June 2015 Morning 8:30 Dipartimento delle Arti (Palazzo Marescotti-Brazzetti, via Barberia 4) Registration SALONE MARESCOTTI 9:30 Opening Address MARCO BEGHELLI, Coordinator of tosc@bologna.2015 GIUSEPPINA LA FACE, Director of the Dipartimento delle Arti MARCO BEGHELLI, ANSELM GERHARD, EMANUELE SENICI, BENJAMIN WALTON Programme committee of tosc@bologna.2015 10:00 Opening Keynote Lecture AXEL KÖRNER (University College London, UK) From transnational history to transnational opera. Questioning national categories of analysis 11:00 Coffee Break SALONE MARESCOTTI SALA DEL CAMINO SALA DELLE COLONNE Vocal Performance Chair: CORMAC NEWARK (Guildhall School of Music and Drama, London, UK) Opera and WW2 Chair: ANNEGRET FAUSER (University of North Carolina, USA) Crossing Social Boundaries Chair: BENJAMIN WALTON (University of Cambridge, UK) 11:30 PAUL CORNEILSON (The Packard Humanities Institute, Los Altos, USA) J.C. Bach’s favorite tenor, Anton Raaff (1714-1797) DAVIDE CERIANI (Rowan University, Glassboro, USA) Toscanini, Mussolini, and the Teatro Reale dell’Opera in Rome during the fascist period ELEANOR CLOUTIER (University of California, Berkeley, USA) Mapping desire: Aesthetic community at the Théâtre Italien during the July Monarchy 12:00 LIVIO MARCALETTI (Bern Universität, CH) German operatic repertoire and performance in nineteenth-century vocal treatises LAURA TUNBRIDGE (University of Oxford, UK) Nordic nights in New York: Wagner, war, and Hollywood JOANNE CORMAC (Oxford Brookes University, UK) Opera burlesqued: Victorian popular theatre and society 12:30 JOSHUA NEUMANN (University of Florida, Gainesville, USA) Performance tradition over time: Computer-aided statistical analysis and Puccini’s Turandot at the Met EMILY RICHMOND POLLOCK (Massachusetts Institute of Technology, Cambridge, USA) Rank and file: Everyday autobiographies of German opera after World War 2 ALEXANDRA WILSON (Oxford Brookes University, UK) Opera, cultural categorization, and national identity in 1920s Britain 13:00 Buffet Lunch Tuesday 30 June 2015 Afternoon Dipartimento delle Arti (Palazzo Marescotti-Brazzetti, via Barberia 4) SALONE MARESCOTTI SALA DEL CAMINO SALA DELLE COLONNE Stagings Chair: EMANUELE SENICI (Università di Roma “La Sapienza”, I) Opera and Politics Chair: ANSELM GERHARD (Universität Bern, CH) Parodies Chair: ARNOLD JACOBSHAGEN (Hochschule für Musik und Tanz, Köln, D) 14:30 CAROLYN ABBATE (Harvard University, Cambridge, USA) & ROGER PARKER (King’s College London, UK) Technology before DANIELE CARNINI (Fondazione “G. Rossini”, Pesaro, I) Sed victa Rossini ? Guerra e clemenza nell’Italia napoleonica JOHN ROMEY (Case Western Reserve University, Cleveland, USA) Bellérophon in vaudevilles : Appropriation of street culture by the Comédie-Italienne 15:00 CHRISTINE JEANNERET & NICOLAI ØSTENLUND (Københauns Universitet, Copenaghen, DK) «Il faut avoir égard que ce sont des acteurs chantants»: Sarti’s observations on Italian opera in Copenhagen, 1763 AMANDA HSIEH (University of Toronto, CDN) Berg’s Wozzeck : First World War and operatic voices of male hysteria HEDY LAW (University of British Columbia, Vancouver, CDN) Refashioning difference: The castrato in France and his hero nonsense in Salieri’s Tarare (1787) Body and Psyche Chair: GIOIA FILOCAMO (Istituto superiore di Studi mu-sicali “G. Briccialdi” di Terni, I) 15:30 MICAELA BARANELLO (Swarthmore College, Philadelphia, USA) Regietheater and disenchantment: The case of Rusalka STEVEN HUEBNER (McGill University, Montréal, CDN) Faith and ideology in Francis Poulenc’s Dialogues des Carmélites ANKE CHARTON (Hochschule für Musik und Theater, Hamburg, D) «Mi lusinga il dolce affetto»: The operatic voice as a gateway of otherness 16:00 LISA FEURZEIG (Grand Valley State University, Allendale, USA) In the spirit of the original: Adaptations that work MITCHELL MORRIS (University of California, Los Angeles, USA) Ubi Communitas : Sonority, collectivity, and politics in Dialogues des Carmélites CÉLINE FRIGAU MANNING (Université Paris 8, F) Hygiene of the singer. Bodies, medicine and prophylaxis in nineteenth-century opera Tuesday 30 June 2015 Evening 18:00 Fondazione Istituto Liszt (via Augusto Righi 30) (reservation in advance: only 45 spectators) Chair: ROSSANA DALMONTE Fondazione Istituto Liszt, I Concert-Lecture (Steinway Grand Piano from 1860) EMANUELE FERRARI (Università di Milano-Bicocca, I) Reshaping the drama: Liszt, Rigoletto paraphrase MARIATERESA STORINO (Istituto superiore di Studi musicali “V. Bellini” di Caltanissetta, I) The Lisztian (and non-Lisztian) autographs of the Istituto Liszt 20:00 Dinner suggestion: Bolognese Cuisine (reservation in advance) at the Ristorante Il Portico via Augusto Righi, 11 Wednesday 1 July 2015 Morning Dipartimento delle Arti (Palazzo Marescotti-Brazzetti, via Barberia 4) SALONE MARESCOTTI SALA DEL CAMINO SALA DELLE COLONNE Opera and Cinema Chair: PAOLO NOTO (Università di Bologna, I) Opera and Philosophy Chair: MAURIZIO GIANI (Università di Bologna, I) Divas Chair: GERARDO GUCCINI (Università di Bologna, I) 9:30 CHRISTY THOMAS (Yale University, New Haven, USA) When opera met film: Casa Ricordi and the emergence of cinema MAGNUS TESSING SCHNEIDER (Stockholm Universitet, S) Kierkegaard’s struggle with Don Giovanni : A study in the tortuous interaction of performance and reception history JULIA SIRMONS (Columbia University, New York, USA) Diva voice, diva prose: Italy’s first Lady Macbeths, from stage to page 10:00 PAULO MUGAYAR KÜHL (Universidade Estadual de Campinas, BR) Visions of opera in the Tropics FRANCESCO DEL BRAVO (Freie Universität, Berlin, D) The periodical return of the same: Nietzsche, Carmen , and entrainment MELINA ESSE (Eastman School of Music, University of Rochester, USA) A Sapphic Orpheus: Pauline Viardot as composer-performer 10:30 GAIA VARON (Università Cattolica del Sacro Cuore, Milano, I) Voiceless passions: Operatic music in Mario Martone’s Noi credevamo JOHN SIENICKI (independent scholar, Grand Rapids, USA) Lady Kundry’s secret: Sensation novels and Wagner’s intellectual anxieties in Parsifal CRISTINA SCUDERI (Karl-Franzens-Universität Graz, A) “Se cantassi sovente con quell’impegno febbrile, presto morrei”: Notes from Romilda Pantaleoni’s unpublished correspondence. 11:00 Coffee Break Opera Crossing Media Chair: GUGLIELMO PESCATORE (Università di Bologna, I) Transnational Opera I Chair: AXEL KÖRNER (University College London, UK) Castratos Chair: TIM CARTER (University of North Carolina at Chapel Hill, USA) 11:30 MIA TOOTILL (Cornell University, Ithaca, USA) The Devil’s handiwork: Faustian spectacle in Second Empire Paris ANNA PARKITNA (State University of New York at Stony Brook, USA) Eighteenth-century Warsaw premieres of Mozart’s Die Entführung aus dem Serail and the rise of German opera JESSICA PERITZ (University of Chicago, USA) The tale of the castrato and the cantimbanco : Language, narrative, and authenticity in the late Settecento singing voice 12:00 DANIELLE SIMON (University of California, Berkeley, USA) F

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