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Record W7066001616

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2021· preprint· en· W7066001616 on OpenAlexaff

Bibliographic record

VenueHAL (Le Centre pour la Communication Scientifique Directe) · 2021
Typepreprint
Languageen
FieldBiochemistry, Genetics and Molecular Biology
TopicNuclear Structure and Function
Canadian institutionsUniversity of Calgary
Fundersnot available
KeywordsBespokeCraftAffordanceAutomationProcess (computing)Modular designPhysical computingDigital dataExternal Data Representation
DOInot available

Abstract

fetched live from OpenAlex

While digital technologies have revolutionized how we collect and visually represent data, humans continue the thousand-year tradition of producing physical representations of data. Physical representations of data can range from the mundane (hourglass egg timers in an everyday kitchen) to the spectacular (large-scale data sculptures in a museum). Physical representations of data are experiencing a dramatic renaissance, driven by new fabrication technologies, materials, and processes as well as a growing enthusiasm for all things data.The artists, designers, and scientists who create physical representations of data draw from a range of domains and traditions, and represent a fascinating, inspiring, and revealing cross-section of contemporary maker and data culture. To highlight the diversity of approaches, we are currently curating a collection of first-hand accounts from 25+ artists, designers, and researchers that document the process of designing and creating new physical representations and experiences with data. Each story describes the creators’ motivation and inspiration, their approaches for sourcing and encoding data, and their experience navigating the design and fabrication process. In our talk, we will present five themes that capture how people are “making with data” today: Data craft highlights artists and designers whose hand-crafted pieces manually (and sometimes painstakingly) integrate data into objects – from the extraordinaryexotic and bespoke to the personal and everyday. Digital production examines how digital fabrication techniques like 3D printing and digital milling can produce unique and expressive data-driven physical forms. Data automation introduces new physical platforms that use automation and robotics to dynamically and interactively encode data physically. Participatory showcases ways in which designers invite viewers into the creation process, allowing them to encode or reveal data through their interactions with a piece, material, or other people. Environmental projects, meanwhile, reveal data in the context of our surroundingsnatural environments, often exploring the use of natural processes to create new and compelling representations.Each of these approaches entails profound design choices and considerations which impact the design and production process, the tools and skills required to create the works, and ultimately the connection that is created between the creator, the viewer, and the dataIn this lighting talk, we will present highlights from our rich and exciting set of art pieces, projects, and installations. We will illustrate each theme with a case study featuring a particularly compelling work, and also provide our own first-hand reflections on creating and experiencing physical representations of data. Finally, we will turn the discussion back to the broader community, examining additional approaches not captured by our themes, and highlighting aspects of the creation process that are of particular interest to the information plus audience.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Bench or experimental · Consensus signal: Bench or experimental
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.204
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0010.001
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.012
GPT teacher head0.210
Teacher spread0.198 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designBench or experimental
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2021
Admission routes1
Has abstractyes

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