A Life in Music from the Soviet Union to Canada [Sound Files]
Bibliographic record
Abstract
The musical career of Alexander Tumanov extends from Stalinist and Soviet Russia through contemporary Canada, and as such provides an inspiring portrait of one person’s devotion to his art under trying circumstances. Tumanov was a founding member of Moscow’s Madrigal Ensemble of early music, which introduced Renaissance and Baroque music to the Soviet Union. The Ensemble enjoyed tremendous popularity in the 1960s and 1970s, despite occasional official disapproval by the Soviet bureaucracy. At times the compositions of the group’s founder, Andrei Volkonsky, were banned. Volkonsky eventually emigrated to escape the oppressive conditions, followed soon after, in 1974, by Tumanov, and the Madrigal Ensemble continued in a changed form under new leaders. \n \nThe story of the author's subsequent life and career in Canada provides a poignant point of contrast with his Soviet period — at the musical, academic, and political levels. These 7 sound files are located in different pages of the book: \n \n \n1. p. 169: after “an explosion of applause” \nTitle of piece: О страстях (Bicinium De Passione) \nPerformers: Karina Lisitsian (contralto) and Ruzanna Lisitsian (soprano) \nComposer: Erhard Bodenschatz \nYear: 1968 \nLP title (translation from Russian): Thousand Years of Music (Vol. 3): Madrigal – Germany. Renaissance and Early Baroque. \nLP title in the original Russian: Тысяча лет музыки (Выпуск 3): Мадригал – Германия. Эпоха Возрождения и раннее Барокко. \n \n2. p. 179: between “Of course we did not have mimes” and the photo of Madrigal \nTitle of piece: Сцена Из Мистерии "Представление Души И Тела” (Rappresentatione di Anima e di Corpo) \nPerformers: entire ensemble \nComposer: Emilio de’ Cavalieri \nYear: 1966 \nLP title (translation from Russian): Thousand Years of Music (Vol. 2): Madrigal – Italy. Early Baroque 16-17 c. \nLP title in the original Russian: Тысяча лет музыки (Выпуск 2): Мадригал – Италия. Раннее Барокко XVI-XVII ВВ. \n \n3. p. 189 bottom: below “even while on tour” \nTitle of piece: Duélete de mi, señora \nPerformer: Alexander Tumanov – soloist \nComposer: M. de Fuenllana \n \nYear: 1968 \nLP title (translation from Russian): Thousand Years of Music (Vol. 4): Madrigal – Spain. Renaissance. \nLP title in the original Russian: Тысяча лет музыки (Выпуск 4): Мадригал – Испания. Эпоха Возрождения. \n \n4. p. 200 bottom: after “filled with the music of Madrigal!” \nTitle of piece: Песнь Адвенты (Adventslied) \nPerformers: entire ensemble \nComposer: : Johannes Eccard \nYear: 1968 \nLP title (translation from Russian): Thousand Years of Music (Vol. 3): Madrigal – Germany. Renaissance and Early Baroque. \nLP title in the original Russian: Тысяча лет музыки (Выпуск 3): Мадригал – Германия. Эпоха Возрождения и раннее Барокко. \n \n5. p. 210 bottom: between “However, the film never ap¬peared in movie theaters” and photo \nTitle of piece: E La Don Don \nPerformers: Alexander Tumanov – soloist with entire ensemble \nComposer: Unknown Artist \nYear: 1968 \nLP title (translation from Russian): Thousand Years of Music (Vol. 4): Madrigal – Spain. Renaissance. \nLP title in the original Russian: Тысяча лет музыки (Выпуск 4): Мадригал – Испания. Эпоха Возрождения. \n \n6. p. 246: below “flashes of genius.” \nTitle of piece: Токката № 7 (Toccata Settima) \nPerformers: Andrei Volkonsky, harpsichord \nComposer: Michelangelo Rossi \nYear: 1966 \nLP title (translation from Russian): Thousand Years of Music (Vol. 2): Madrigal – Italy. Early Baroque 16-17 c. \nLP title in the original Russian: Тысяча лет музыки (Выпуск 2): Мадригал – Италия. Раннее Барокко XVI-XVII ВВ. \n \n7. p. 409 top: after „performers were referred to as “well-formed singers“ \nTitle of Piece: "Nun laßt uns den Leib begraben" \nPerformers: Cantilena Consort, Alexander Tumanov – artistic director \nComposer: Franz Schubert \nConcert date: Nov. 5, 1999 \nRecording location (live performance): Knox Evangelical Free Church, Edmonton Canada
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.002 | 0.002 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.000 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".