Journal of Literature, Culture & Media Studies Vol.V.9&10 Jan.- Dec.2013Vol.V.9&10 Jan.- Dec.2013 Silent Agonise of Black 'Celie ' and Brown 'Jasmine ' in America
Bibliographic record
Abstract
Abstract: Both the characters Jasmine and Celie as a girl child were brutalized right from their childhood. Celie's sufferings and agonies starts when she was raped by her stepfather Alfanso whereas Jyoti's tragic life starts when she leaves her native India and journey's to America. Celie shared her traumatic experiences by writing letter to god and later to her sister Nettie. On the other hand Jyoti undergoes series of transformation from Jyoti-Jasmine-Jazzy-Jassy-Jase-Jane. Her each incarnation thus symbolizes new life and new self with its new changed identity. Both the novelist represented violence in sarcastic manner. Celie not only undergoes with physical violence but also spiritual violence. In Jasmine violence is portrayed through communal riots and when Jasmine murdered Half–Face. Celie was portrayed as sacrificing figure whereas Jasmine on the other hand throughout the novel searches her better prospects in life and her thirst for self-identity. Both the characters adopted America as new existence with dilemma of acculturation and assimilations. The silent sufferings of Celie and Jasmine in alien world conceptualizes the different perception of life, 'The Colour Purple' finally had blissful ending as Celie's reunion with her family takes place in the end whereas Jasmine compared herself as an unsatisfied soul behaving like tornado. Bharati Mukherjee born in Calcutta in 1940 and was educated in India and the USA (Iowa). She has lived for ten years in Canada with her husband and has Canadian citizenship, but now she lives in the USA. Her works often relate the difficulties of forging a new American identity and the problems faced by Asian Americans The Tiger's Daughter and Wife, both published in the early 1970s, are novels about the isolation of Indian expatriates. She has written more than a dozen books of fiction and nonfiction, including the acclaimed collection Leave It to Me (1997) among her collections of short stories. Her most influential work has been
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.003 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.003 | 0.008 |
| Science and technology studies | 0.007 | 0.004 |
| Scholarly communication | 0.013 | 0.005 |
| Open science | 0.001 | 0.003 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.067 | 0.013 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".