Don't bother me, I can't cope, 1972
Bibliographic record
Abstract
Long playing record, "Don't bother me, I can't cope", 1972, with picture of cast mid-performance on front cover. "Winner! Best musical; 1972 outer circle critics' award; 1972 obie awards; Promotion copy; not for sale; Polydor; PD 6013 2452 003". Part of front is covered by 6 x 12 sheet of paper with price information, suggested cuts, brief history of the play, and extracts from reviews.; Back includes photograph of cast, cast and production list, track list, and brief summary and commentary, "Edward Padula and Arch Lustberg present; Vinnette Carroll's Urban Arts Corps production of: Don't Bother Me, I Can't Cope, a new musical entertainment by Micki Grant with Alex Bradford, Hope Clarke, Bobby Hill, Arnold Wilkerson, and Micki Grant; Scenery by Richard A. Miller, supervised by Neil Peter Jampolis; Costumes by Edna Watson, supervised by Sara Brook; Lighting by B. J. Sammler, supervised by Ken BIllington; Musical direction & arrangements, Danny Holgate; Associate producer, Gordon Gray Jr.; Production supervisor, Sam Ellis; Choreographer, George Faison; Conveived and directed by Vinnette Carrol"; Track listings include, "Side one; I gotta keep movin' (2:50), Alex Bradford and company; Harlem streets (3:36); Lookin' over from your side, Bobby Hill and company; Don't bother me, I can't cope (2:15), entire company; Fighting for pharoah (6:03), Alex Bradford, Bobby Hill, Alberta Bradford, Charles Campbell; Good vibrations (2:55), Alex Bradford and company; You think I got rhythm?, entire company, They keep coming, entire company, My name is man (6:25), Arnold Wilkerson and company; Side Two; Love Power (2:20), Bobby Hill, Hope Clarke, and company; Questions (3:55), Micki Grant; It takes a whole lot of human feeling (3:21), Micki Grant; You think I got rhythm? (2:34); Time brings about a change (2:34), Arnold Wilkerson, Micki Grant and company; So little time (4:06), Micki Grant; Thank heaven for you, Bobby Hill, Micky Grant; All I need (3:37), Alberta Bradford and company; I gotta keep movin' (Reprise) (4:36), Micki Grant, Alex Bradford and Company"
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.002 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.005 | 0.001 |
| Scholarly communication | 0.008 | 0.002 |
| Open science | 0.001 | 0.003 |
| Research integrity | 0.001 | 0.003 |
| Insufficient payload (model declined to judge) | 0.615 | 0.478 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".