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Record W7117666544 · doi:10.3390/h15010007

Grant Allen’s Folk Horror Mediation of the Science and Spiritualist Debate

2025· article· en· W7117666544 on OpenAlex
Ian M. Clark, Brooke Cameron

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueHumanities · 2025
Typearticle
Languageen
FieldArts and Humanities
TopicReligious Studies and Spiritual Practices
Canadian institutionsQueen's University
Fundersnot available
KeywordsWonderAllegoryForegroundingMaterialismMythologyFolkloreSimulacrumPoliticsNarrativeMedievalismCommodification

Abstract

fetched live from OpenAlex

This essay reads Grant Allen’s “Pallinghurst Barrow” as folk horror about the late-Victorian spiritualist debates. We read Allen’s story as not only sympathetic to spiritualism, but also as critical of the gendered and genred politics of fin-de-siècle scientific materialism which would preclude such occult experiences—or what we frame as feminine ways of knowing. In both form and content, “Pallinghurst Barrow” challenges masculine science by foregrounding the powerful influence (on Rudolph, the protagonist) of the Gothic ghost story (“gipsy” Rachel’s cautionary tale, repeated by young Joyce). Allen’s interest in the folkloric origins of religion can be traced back to Herbert Spencer’s “Ghost Theory,” a proto-sociological explanation for the cultural construction and transmission of myth (or spirits). A lifelong friend and devotee of Spencer, Allen employs his mentor’s sociology as a way to make sense of non-material forces, including the ghost story circle and its production of Gothic awe or wonder (the wonder tale). Ultimately, then, Allen’s infamous folk horror reads as an allegory of late-Victorian spiritualist debates and, more importantly, as a defence of feminine modes of knowledge and myth-making through collective story-telling.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.906
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.002
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.045
GPT teacher head0.259
Teacher spread0.215 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it