Les premiers et premières journalistes de la célébrité au Québec (1935-1960)
Bibliographic record
Abstract
FR. L’article interroge l’identité et la production des premiers et premières journalistes de la célébrité au Québec entre le milieu des années 1930 à la fin des années 1950. Durant cette période qui voit naître un vedettariat artistique moderne, notamment grâce au développement de la radio et de la télévision, le secteur de la presse de célébrités se met en place au gré de rubriques et de publications spécifiques que vont investir durablement des rédacteurs et rédactrices issus du monde des lettres ou de la culture. L’article analyse les trajectoires, les stratégies d’écriture et les postures médiatiques de huit individus (six femmes et deux hommes) spécialisés dans l’écriture journalistique de la célébrité. Il postule que le développement des pratiques journalistiques consacrées au vedettariat témoigne d’une relative homogénéité des profils de rédacteurs et de rédactrices, et révèle l’intrication toujours forte de la culture médiatique canadienne-française avec les dynamiques et tensions à l’œuvre dans la vie littéraire. Ce faisant, l’auteur montre comment la littérature constitue une modalité discursive déterminante pour les journalistes de la célébrité. *** EN. The article examines the identity and output of Quebec's first celebrity journalists between the mid-1930s and the late 1950s. During this period, which saw the emergence of modern celebrity culture, thanks in particular to the development of radio and television, the celebrity press sector took shape through specific columns and publications that were permanently taken over by editors from the world of literature and culture. The article analyses the trajectories, writing strategies and media positions of eight individuals (six women and two men) specialising in celebrity journalism. It posits that the development of journalistic practices devoted to celebrity culture reflects a relative homogeneity in the profiles of editors and reveals the continuing strong intertwining of French-Canadian media culture with the dynamics and tensions at work in literary life. In doing so, the author shows how literature constitutes a decisive discursive modality for celebrity journalists. *** PT. O artigo examina a identidade e a produção dos primeiros e das primeiras repórteres de celebridades no Quebec, entre meados da década de 1930 e o final da de 1950. Nesse período, marcado pelo surgimento de um estrelato artístico moderno, especialmente graças ao desenvolvimento do rádio e da televisão, o setor da imprensa de celebridades se estrutura ao longo de seções e publicações específicas, ocupadas de forma duradoura por redatores e redatoras provenientes do mundo das letras ou da cultura. Neste trabalho, são analisadas as trajetórias, as estratégias de escrita e as posturas midiáticas de oito indivíduos (seis mulheres e dois homens) especializados na escrita jornalística sobre celebridades. Sugere-se que o desenvolvimento das práticas jornalísticas voltadas para o estrelato denota uma relativa homogeneidade nos perfis dos redatores e das redatoras, além de revelar a forte interligação da cultura midiática canadense-francesa com as dinâmicas e tensões presentes na vida literária. Dessa forma, evidencia-se como a literatura se configura como uma modalidade discursiva determinante para os jornalistas de celebridades. *** ES. El artículo exmaina la identidad y la producción de las y los primeros periodistas de estrellas en Quebec entre mediados de la década de 1930 y finales de la década de 1950. Durante este periodo, que vio nacer el estrellato artístico moderno, gracias en particular al desarrollo de la radio y la televisión, el sector de la prensa de estrellas se fue consolidando con secciones y publicaciones específicas, ocupadas durante largo plazo por redactores y redactoras procedentes del mundo de las letras o la cultura. El artículo analiza las trayectorias, las estrategias de redacción y las posturas mediáticas de ocho personas (seis mujeres y dos hombres) especializadas en la redacción periodística sobre las estrellas, y postula que el desarrollo de las prácticas periodísticas dedicadas al estrellato refleja una relativa homogeneidad en los perfiles de los redactores y redactoras, a la vez que revela la fuerte interconexión que sigue existiendo entre la cultura mediática canadiense-francesa y las dinámicas y tensiones que operan en la vida literaria. De este modo, el autor muestra cómo la literatura constituye una modalidad discursiva determinante para las y los periodistas de estrellas.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.003 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.003 | 0.004 |
| Science and technology studies | 0.008 | 0.002 |
| Scholarly communication | 0.003 | 0.001 |
| Open science | 0.001 | 0.001 |
| Research integrity | 0.001 | 0.001 |
| Insufficient payload (model declined to judge) | 0.022 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".