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Record W7120281051

Iconografia e processos de criação : imagens da dança na obra pictórica de Edgar Degas

2014· dissertation· pt· W7120281051 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueLA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas) · 2014
Typedissertation
Languagept
FieldArts and Humanities
TopicArts and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsIconographyDancePaintingPhotographyQuarter (Canadian coin)Style (visual arts)Ballet
DOInot available

Abstract

fetched live from OpenAlex

The research and understanding of interdisciplinary aspects to compose the universe of creation, they become important for the development of choreographic trends. It was from the proposal to add new aesthetic settings for creative processes in dance that emerged this search. The dissertation is devoted to the iconographic study of pictorial works depicting the dance performed by Edgar Degas, French painter and sculptor who joined the Impressionist movement in the last quarter of the nineteenth- century. Through these iconographic analyzes of paintings was held experiments in dance as resulting end product of research a show titled Políptico XIX-XXI. The result shows a possibility of linking image, iconography and dance, showing that creative processes can be used for elements observed through the study and analysis of still images of a work. Keywords: Creative process; Dance; Iconography; Edgar Degas.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Science and technology studies, Scholarly communication
Consensus categoriesMeta-epidemiology (narrow)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.966
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0020.002
Meta-epidemiology (broad)0.0020.001
Bibliometrics0.0010.000
Science and technology studies0.0050.000
Scholarly communication0.0020.001
Open science0.0010.000
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.028
GPT teacher head0.256
Teacher spread0.228 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it